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THE JAM!! Phil X and Paul Jackson Jr. The Evil*Robot Interviews..Part 4

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Uploaded on Jan 10, 2012

http://www.frettedamericana.com/
In the 4th part of this 4 part special interview, Phil sits down with EVIL ROBOT enthusiast Paul Jackson Jr. (In addition to being a recording artist in his own right, Jackson is a highly accomplished L.A. session player, with a career spanning multiple decades. He has supported artists ranging from Michael Jackson (on the albums Thriller, Bad, Dangerous, History and Blood on the Dance Floor: HIStory in the Mix) to Whitney Houston, Thomas Anders, Patti LaBelle and Luis Miguel, to rockers such as Chicago and Elton John, to jazz greats such as George Duke, Dave Koz, Al Jarreau, David Benoit, Marcus Miller and Kirk Whalum, and to Christian artists such as Leon Patillo and Don Moen.
Jackson can be seen playing guitar in a wide variety of styles on The Tonight Show With Jay Leno.) Phil and Paul discuss career, musical interest, experience, and most importantly The Evil Robot and why it is so MAGICAL!

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Top Comments

  • HazardHearts

    Thumbs Up! If you Brought out your Instrument to Play Along. I know I did.

    · 35

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  • prippropro

    Jazz on the left..Rock on the right..Music..AWESOME

    · 14

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All Comments (162)

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  • Julio1jpg

    i'd like somebody who disliked this video to tell me what are the things he/she doesn't like

    ·

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    in playlist Phil X and Paul Jackson Jr. Series
  • Plucky1991

    How is it possible to improvise for so long?? It´s like an incredibly long rehearsed song. It´s amazing how you just keep on playing and always know the next notes, where to add chords, what chord when, short licks, solos etc it´s just goes on and on and still looks like you´ve done this erlier like a song you played before. DAMN!

    This both motivates me & break me at the same time. Like walking into a reverse escalator where someone kicks me down by the top. Oh well, just keep on practicing..

    ·

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  • Plucky1991

    I hate you for beeing the coolest kind of person with unlimited guitar skills..

    ·

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  • KONAROCK1

    music isn't a competition.. go watch basketball if you're into that stuff..

    · 3

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    in reply to ianadels (Show the comment)
  • Devon Peacock

    Why not learn both, as well as country, blues, metal, and anything else you can possibly get your finger on?

    · 5

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    in reply to ianadels (Show the comment)
  • cameltooth1

    If you mean you favor jazz skills on guitar to just rock guitar stuff, i agree. It's great to know both.

    ·

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    in reply to ianadels (Show the comment)
  • Homegirl1982

    Oh my god, the Use Me parts. <3 That is way too much talent in one room (individually and collaboratively).

    ·

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  • SavageDutchman

    I'll say it depends on the players, I mean look at Yngwie Malmsteen and his technicle prowess and then look at Django Reinhardt and his technicle prowess.

    ·

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    in reply to ianadels (Show the comment)
  • ianadels

    Jazz players>Rock players

    I know I'll get hate.

    ·

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  • Robin Ivarsson

    My guess would be either the guitar or the amp got the volyme knobs turned down a bit. Since Phil uses overdrive from the amp and when I personally have used different tube amps my guess would be, when the volyme is turned down a bit on either guitar or amp the sound gets fuzzier instead of distorted and "powerfull". I hope I made that at least a little understandable. If not, ignore and hate one me ;)

    ·

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    in reply to banjoftw (Show the comment)
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