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jamie cullum - twentysomething

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Uploaded by on Mar 10, 2007

how to play Twentysomething
Intro - chords - solo
Visit DIM - Interactive Music School
google dim roskilde and - see ya!

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Music

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  • likes, 12 dislikes

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Uploader Comments (martingerup)

  • what the hell is a E7 #9 B13??? that chord doesn't exist???

  • @keyjay217

    you can let out the fifth and call it E7#9+ - maybe?

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All Comments (54)

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  • @keyjay217 it's 2 different chords. Yes, he says them quickly....so they kinda blur together...but they're two separate chords.

  • @Ybatec You're thinking of intervals possibly.... Interval notation is different than chord notation. Also, any intervals can be diminished or augmented, though it's sometimes ridiculous to describe them in such a way. For instance: a diminished 9th is just a perfect octave (you flat the natural nine twice)...so why call it by a more convoluted name?

  • @Franciscanplaypiano Not true. In this sort of (normal) notation, 13 just indicates that it's a dominant chord with an added 13. The other way of writing it is B7(13)...or sometimes we even see B7(add 13), but these ways of writing it seem a bit redundant. So, over the years it's just been shortened to B13. If it were flat-13, you would see B7b13.

  • E7 is a dominant 7th chord. #9 means raising the 9th and B13 means flattening the 13th (which in an E chord would be a flattened C) ...

  • E7 #9 and B13 exist!!!

  • @martingerup nonono, the 9 can be major or minor, but not diminished, perfect or augmented! i'm shure that #9 does not exist. please answer!

  • @martingerup nonono, the 9 can be major or minor, but not diminished, perfect or augmented! i'm shure that #9 does not exist.

  • dear martin! it would be really swell if wrote just the names of the chords.

    regards,

  • Thats wrong!!! wrong chords...

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