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Roland JUNO 2012

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Uploaded by on Jan 6, 2012

The Juno 2012 is two Roland Juno 106's in a custom case giving the Juno 2 parallel oscillators, LFO's Envelopes and filters per voice, Front panel fine-tuning for each synth provided and then running through parallel filters with a cross fading mix control. One runs as a master synthesizer and one as a slave you can edit both from the master panel or with the different setting of the rear function switch you can edit separate patches on each. these both run through the same chorus and jack board for a full stereo mix out at the rear and you can set each to a different midi channel for multi timbrel control. Also added is polyphonic filter frequency modulation of the master synthesizer's filters using the slaves synthesizers voices as mixable modulation sources. This pushes the sound creation potabilities of the Juno-2012 far beyond its original design

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Uploader Comments (psyfi)

  • My Juno 60 is still an absolute prize piece :)

  • @dayday8421 Great range of synths. my second synth ever was the Juno 6

  • perfect....better than the classic!

  • @theHackerOfMayhem Praise indeed. Thank you sir.  :)

  • At 5:00 Juno says: Woaaaaaaaaaow :-D

    Woooooaaaaow to this modification. This truly enhances this machine like no other one.

  • @mima14031985 Thank you, glad you like it.

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All Comments (43)

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  • Roland dont believe in going backwards Japanese are very proud and perfectionist orientated people. The junos and jupiters were failures in their eyes. Thats why they have now released the amazing JUPITER 80 which makes this sound like a dated toy.

    Only the DX7 MK2 can take this new Jupiter 80 and thats because it has greater attack. and is able to produce drum kits like the TR808 because of its incomparable snap.

  • WANT!

  • oh man ,i have 2 106's and joke about making a "juno 1-0-12 with them .. but now i see why that would be a good idea ..

  • @PaulFitzZaland Only in part. Aside from the fact that the audio is summed together before the Chorus effect you also have the polyphonic filter modulation from the voices of the slave unit to the filters of the master unit. Also the cross fading circuitry between the two units has been designed specifically to accommodate the headroom of the chorus circuitry.

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