I wrote the first draft of po in 1988, while discovering the novels of Samuel Beckett.
The title refers primerely to p.o. (post office in the US) a subtle reference to Bartleby, but also to the portuguese word for 'dust'. po is man who lives intensively, in spite of being constantly hurt by his relatives and friends. The external world is his reference, the source of his sufferings, pleasures and ambitions. As Voltaire, he believes that he will leave the world as crooked and wicked as he found it. Eager to be imperceptible po has chosen to live in a dark and small room, as a handicap, reducing his own fate to the remembrance of his dreams, experiences and nightmares. A woman takes care of him, though he complaints that she is trying to kill him.
I described po once as 'a story of frustrated ambition in the mood of post-industrial society'. Shot in 1995 po was awarded with the Temple University Motion Picture Association Scholarship.
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