Upload

Pachelbel's Canon in 3 tunings: Just intonation, Meantone and 12-equal

padaneis padaneis·37 videos
45
16,546
Like     Dislike 2

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to like padaneis's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to dislike padaneis's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to add padaneis's video to your playlist.

Uploaded on May 1, 2011

See also: http://www.squidoo.com/tuning-systems - Pachelbel's Canon in D, in three different tunings: Just (with septimal C), Meantone (31 5^(1/4) fifths with C on 15th position) and the usual 12-equal, played at midi organ.
Not interested in technical details about tuning? See http://www.youtube.com/watch?v=HzQmax... for Pachelbel's canon with mountain views from Switzerland.
This video:
Tuned with Scala, implemented with Timidity++, soundfont: Jeux14.SF2.
Registration:
1st voice: Montre 8 + Nazard 2 & 2/3
2nd voice: Montre 8 + Tierce 1 & 3/5
3rd voice: Montre 8 + Larigot 1 & 1/3
Bass: Principale 16+8

  • Category

  • License

    Standard YouTube License

Loading icon Loading...

Loading icon Loading...

Loading icon Loading...

Loading icon Loading...

Ratings have been disabled for this video.
Rating is available when the video has been rented.
This feature is not available right now. Please try again later.

Uploader Comments (padaneis)

  • Blacksquareable

    That's a lovely organ sound.  What software are you using?

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Blacksquareable's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Blacksquareable's comment.
  • padaneis

    Huygen-Fokker Scala for tuning and Timidity++ for audio synthesis. Both are free software. Soundfont is Jeux14.SF2 (Jeux d'Orgues v 1.4)

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.
    in reply to Blacksquareable (Show the comment)
  • Sandiegoanons

    What do you use to convert the midi from equal to JI or meantone?

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Sandiegoanons's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Sandiegoanons's comment.
  • padaneis

    "Huygens-Fokker Scala" and "timidity++" for synthesising audio. Both are available for free. Please google "making microtonal music with software", you'll be able to find put more details in a blog post by Jeff Harrington.

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.
    in reply to Sandiegoanons (Show the comment)
  • Daniel Young

    Thank you so much for sharing. I've been curious about the difference for years. Finally my curiosity is satisfied. I loved the just tuning!

    · 2

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Daniel Young's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Daniel Young's comment.
  • padaneis

    Thanks to you for your interest and for your kind comments :)

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate padaneis's comment.
    in reply to Daniel Young (Show the comment)

Top Comments

  • fleebness

    Yeah, I'm of two minds about equal temperament. On the positive side, it has made it possible to write music for keyboards that changes to various keys quite easily without a tremendous amount of fuss. On the other hand, it has deprived generations of people of the opportunity to hear the beauty of pure intervals. In a way, showing people these nicer temperaments is like revealing that your ears have been raped for centuries.

    · 20

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate fleebness's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate fleebness's comment.
    in reply to elgaed69 (Show the comment)
  • elgaed69

    equal temperament is the worst thing ever to happen to music.

    · 10

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate elgaed69's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate elgaed69's comment.

Video Responses


All Comments (85)

Sign in now to post a comment!
  • Federico Sanchez Pinzon

    The difference can only be heard when synthesis is used. In normal instruments the natural difference between the many instruments affination in an orchestra make it imposible to note the difference.

    A typical Stainway is afeter a concert with 1/2 comma off. Ask a tunner.

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Federico Sanchez Pinzon's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Federico Sanchez Pinzon's comment.
    in reply to elgaed69 (Show the comment)
  • Luke Deaton

    At the risk of getting into a youtube argument, Bach's Well

    Tempered Clavier wasn't written for equal temperament; it was written for well temperament. Some writers have suggested that Bach's treatment of dissonace etc varies depending on the character each key would have had in such a temperament.

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Luke Deaton's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Luke Deaton's comment.
    in reply to Richard Glez (Show the comment)
  • Peter Jonker

    3:52 just intonation (reine stemming)

    3:55 meantone (middentoonstemming)

    7:50 12 equal temperament (gelijkzwevende stemming)

    · 2

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Peter Jonker's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Peter Jonker's comment.
  • Richard Glez

    What are you talking about? There would be no Well tempered clavier, and therefore, no modulations...

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Richard Glez's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Richard Glez's comment.
    in reply to elgaed69 (Show the comment)
  • qwert11

    just intonation sounds dissonant as hell near the end. jesus christ

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate qwert11's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate qwert11's comment.
  • Loading comment...
Loading...
Loading...
Working...
Sign in to add this to Watch Later