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Kill The Soundman

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Uploaded by on Jul 9, 2007

"Kill The Soundman" from Missing Palmer West's debut EP. www.missingpalmerwest.com

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Music

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  • likes, 24 dislikes

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  • Acoustic environments at concerts never being anywhere near perfect and musicians always wanting near perfect sound = sound guys working their arses off and still getting abused = sound guys turning into bitter old drunks. Band members wouldn't talk to each other like they talk to their sound guy.

  • I was a sound man when I as younger. This is how your night goes:

    Singer: Can I get more monitor? I SAID MORE FUCKING VOCAL IN THE FUCKING MONITOR!!! I DON'T GIVE A FUCK! FEEDBACK?? FUCK YOU!!

    Guitarist #1: I MUST be the LOUDEST. EVER!! FUCK the singer!

    Bassist: More drums in the monitor, please.

    Drummer: I can't hear a fucking thing in my monitor! Tell the guitar to turn down then! Can you get me a beer? Where are the hot chicks?

    Guitarist #2: Turn DOWN a bit??!! I'm turning UP!!! FU!

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All Comments (31)

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  • @EricIvar AFL* ;) 

  • @shibbyshibbywhat PFL on the AUX send.  Problem solved.

  • well as sound technician its never good you work the hole day and they a few hours and you still get the shit! the problem is most of the time with small gig`s that they want the sound to be very loud on stage and you end up with trouble with the sound for the public.

  • @shibbyshibbywhat someone is jealous I guess.

  • Which soundman helped them with this?

  • sorry i don't speak english ... please i need the lyrics, thanks

  • heard FROM A DRUMMER-"I need more drums in the monitor!" silent sound guy thought " and I need more talent in the drum cage" . And for the record- in ear monitors are the way to go if you want to be your own sound guy.

  • i should write a song...

    "Kill the overly egotistical muso"

  • Soundman's Dilemma:

    If the gig was amazing the band will get the praise...

    If the gig was shit everyone will blame the engineer...

    no win situation

  • lol..just kick their pussy asses

    the first thing i do in a bar is go to the stage and say turn the damn amplifier down

    Your in a bar..your not in shea stadium..we can't get the vocals ( the important thing ) over your 100 watt marshall head in a 40 foot room. I used a fender deluxxe reverb when i played in small rooms. 30 watts of smokin hott tubes and perfect for a small room. With great sustain. If you want to look big..set them marshall stacks out there and mic the deluxe.

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