Heralded by The New Yorker as "an arresting new talent," Kate Weare returns to the Joyce with more of the striking physicality and evocative performance style that sold out houses here in 2010. The company presents two works: Garden (world premiere), grappling with the powerful issues of creative impulse, origination and identity, and a revival of the critically acclaimed Lean-To (2009), described by Deborah Jowitt of The Village Voice as: "eroticism in its primal, devouring purity - challenging, at times ambiguous, and infinitely complex."
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