Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Mozart - Requiem: III. Sequenzia: 2. Tuba Mirum

Loading...

Sign in or sign up now!
11,446
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Aug 14, 2008

Wolfgang Amadeus Mozart - Requiem Mass in D minor KV 626 (completed by Franz Xaver Süssmayer, revised edition by Franz Beyer)

Nikolaus Harnoncourt (conductor)
Concentus Musicus Wien (orchestra)
Arnold Schönberg Chor (choir)
Gerald Finley (bass)
Kurt Streit (tenor)
Bernarda Fink (alto)
Christine Schäfer (soprano)

I didn't like Harnoncourt's previous Requiems all that much, but this one is amazing: From the lush, full SACD sound of the (perfectly played) live recording to the stunning balance between the harsh, dramatic and the quiet, mourning parts. He's using the newest critical edition of the Süssmayer Requiem completion, which makes for a sleeker, cleaner and at times harsher orchestration, closer to that of the Introitus - but it leaves the Süssmayer parts intact otherwise, there is no Amen fugue after the Lacrimosa.

But it's not just the revised score that makes this one stand out, the playing of the Concentus Musicus is precise when it needs to be, soften when the score calls for it - I've never heard trombones this piercing in the Dies Irae before, truly apocalyptic, the strings in the Confutatis and Rex Tremendae are crushing, raw - no trace of the saccharine, overly romanticized Requiems of the past (Karajan is spinning in his grave, goofy tracksuit and all), here all the mourning is laced with sheer terror.

The Arnold Schönberg Choir is excellent as usual and the recording captures its color perfectly. As for the soloist, Gerald Finley and Christine Schäfer stand out particularly - Finley's bass aria in the Tuba Mirum is not only perfectly in tune with the trombone, it's also completely free of unnecessary vibrato, this is one of the least operatic Requiems recorded. As for Christine Schäfer, her soprano is of otherworldly color and expression, which might have something to with her personal life: Her long-term spouse, with whom she had two children died unexpectedly at 40 just two months before this Requiem was recorded. Deeply touching. Kurt Streit and Bernarda Fink are no less excellent, on a whole the whole ensemble blends together perfectly.

Link to this comment:

Share to:
see all

All Comments (5)

Sign In or Sign Up now to post a comment!
  • This is my favorite album of all time.

  • Magnificent... Thanks for sharing

  • el requiem de mozart es su propia misa para los que dejan la tierra en especial para el mismo.

    silvia penchi por su amor y cariño y honor a mozart

    bs. aires * argentina

  • thank you

  • Bellisimo, el momento con que se invoca un climax sabido.

    Una gracia

Loading...

0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more