MDR THILLANA POORVI

MD Ramanathan
ragam poorvi
tillana

ni ri ni ri ga ma ga ri sa. rAgA: pUrvi. rUpaka tALA. Composer: T.Vaidyanatha Bhagavatar.

P: ni ri ni ri ga ma ga ri sA ni ri ga ma dha ma ga ri ma ga ri sa
ni ri ga ma dha ma dha ni ni ma dha dha ga ma dha ma ga ri sa ni
A: ni ri ga ma dha ma dha dha sA ma dha sA ni ri ni dha ma dha sA
ni ga ri ni ri ni dha ni dha ma dha dha ri ri ri ni dha ma dha ma ga ri sa
nAdhru tAnitOm tomdhru tAnitOm udara nadara tAni tAni udarana dani tOm (3 times)
dhitlAm kiTatakatOm dhitlAm kiTatakatOm dhilAm kiTatakatOm (3 times)
C: niSAda riSabha gAndhAra madhyama shaDja pancamOddhAtAnutAta svarita prajaya praNavAkAra nitya
nirAmaya nirmala nigamAnta pratibhAva nirupama niravadhi sukhada girIsha nirAdha niranjani nirguNa brahmAtrI
nAdhru tanitOm tomdhru tanitOm ......................

Category:

Music

Tags:

• south
• indian
• classical
• carnatic
• music

[sierra1bravo]

Very hard to differentiate. Poorvi seems to be the janya of Gamashrama (53) as is Poorvi-kalyani. Poorvi seems to be s-r-g-m-d-s and s-n-d-m-g-r-s, with panchamam coming in as an 'anya swara'.

Poorvi kalyani has the signature pattern of 'p d p s' in its arohana and the all the seven notes in the avarohana.

In fact, in this composition, the Charanam is almost completely poorvi-kalyani, with the generous use of panchamam and also the 'p d p s' patern

[maheshmaheshwaran]

could you tell me the difference between poorvi and poorvikalyani

[chykm]

this raga is poorvi and not poorvikalyani as shown in the clip