what could be the reason, that the vivaldi did not? the wrong tempi and embellishments (learn dissonances to enjoy you and allow this also to your audience) are not the worst things (you can easily improve). after our experiences, a very close eye and soul contact is essential to catch the "affetti" (changing so frequently, even within the bars) and the improvisative and competing-of-the-voices character of baroque performing practice. very respectful - Siegfried
Bravo! Cheers from Brazil
PiscaCPT 1 year ago
this works, really amazing.
what could be the reason, that the vivaldi did not? the wrong tempi and embellishments (learn dissonances to enjoy you and allow this also to your audience) are not the worst things (you can easily improve). after our experiences, a very close eye and soul contact is essential to catch the "affetti" (changing so frequently, even within the bars) and the improvisative and competing-of-the-voices character of baroque performing practice. very respectful - Siegfried
DuoContinuo 3 years ago
Absolute togetherness again with some very intricate and romantic tempo changes, a great pleasure to hear !
PeterHarpist 4 years ago