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(PIANO) LE LAC DE COME - (IL LAGO DI COMO) - Composed by C.Galos (New edition review by A.Gregh)

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Uploaded by on Dec 6, 2010

Piano arrangement, backing tracks arrangement, recorded and performed by Domino

C. Galos was a mysterious 19th century, Italian musician and composer C.Galos pieces are composed of stock salon clichés and appear in collections of famous piano pieces.

It is not known whether Galos was male or female. There is disagreement over what the composer's first name was, with suggestions from Celestino to Charles.

He or she is often referred to by C. Galos, whose name is associated with two big hits of salon music, 'Le chant du Berger' (Nocturne Op. 17) and 'Le Lac de Come' (Nocturne Op. 24). Both pieces are in the form of easy ' Nocturne'.

New edition review by A.Gregh ( Madame Louis Roche)

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Uploader Comments (omelyfasol)

  • It's just beautiful, do you know how lovely the arrangement you did ? Thanks for sharing to us

  • @anhhoangvideo -- Thank you very much for your nice comment, that means a lot to me. --  Domino

  • Absolutely beautiful! The acoustics is also very gooooood....

  • @OmgLOLbtwROFLg2gL8r -- Very nice to meet you. Thank you so much for your beautiful comment. I appreciated. Warm greeting from Southern California. -- Domino

  • Very nice performance. By the way, what rhythm are you using? Thanks :)

  • @ongbavosu -- Thank you for watching my video and your kind words. The original of this classic was 12/8, that why I took 12/8 ballad (PSR - 910) and if the older keyboard doesn't has 12/8, you can get 6/8, set tempo about 42 to 46 then you can play it too. I used to use the original percussion but the bass and the accompaniment I did arranged for each song, it's good adapted and so fits well onto the melody as it does !

    Thanks again for nice comment, appreciated. -- Domino

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  • @RadioZYC -- Thank you for your comment, it's very nice to know you

    liked the way I played music. Many thanks for your support -- Domino

  • Very nice arrangement and performance; got the feelling of the music, not only the technic

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