殺手烙印 殺しの烙印 鈴木清順 60年代作品

殺手烙印

『殺しの烙印』（ころしのらくいん）は鈴木清順監督、宍戸錠主演の1967年6月15­日公開の日本映画。併映作品は西村昭五郎監督『花を喰う蟲』。日活の成人映画として公­開された。

花田五郎（殺し屋ランク・ナンバー3の殺し屋）：宍戸錠
花田真実：小川万里子
中条美沙子：真理アンヌ
大類進（ナンバー1の殺し屋）：南原宏治
藪原道彦：玉川伊佐男

Branded to Kill (殺しの烙印 Koroshi no rakuin?) is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. It was a low budget, production line number for the Nikkatsu Company. The story follows Goro Hanada in his life as a contract killer. He falls in love with a woman named Misako, who recruits him for a seemingly impossible mission. When the mission fails, he becomes hunted by the phantom Number One Killer, whose methods threaten his sanity as much as his life.
The studio was unhappy with the original script and called in Suzuki to rewrite and direct it at the last minute. Suzuki came up with many of his ideas the night before or on the set while filming, and welcomed ideas from his collaborators. He gave the film a satirical, anarchic and visually eclectic bent which the studio had previously warned him away from. After its release Suzuki was fired for making "movies that make no sense and no money".[2] Suzuki successfully sued Nikkatsu with support from student groups, like-minded filmmakers and the general public and caused a major controversy through the Japanese film industry. Suzuki was blacklisted and did not make another feature film for 10 years but became a counterculture hero.[3]

无论以多少挑剔的眼光来看，都是可称为杰作的B级片。在这部黑帮题材的影片中导演铃木­清顺凭借自己对于电影和独立精神的深刻理解，向观众证明了B级片何以能得到固定人群的­长久喜爱。当影片出色得让人心服口服的时候，自然也就配会戴上"CULT"的桂冠。　　　　　故事围绕某杀手组织展开。由于成王败寇式的等级制度的导入，组织旗下的杀手们必须成功­完成每一次任务以避免被组织除名，并且以期得到更高的座次。作为组织No.3的主人公­花田由于在一次行动中错杀了对象，因而也陷入了组织的亡命追杀。　　　　　鈴木 清順（すずき せいじゅん、1923年5月24日 - ）は映画監督、俳優。本名は鈴木 清太郎。元NHKアナウンサーの鈴木健二の兄。日活の専属監督として名を馳せ、小林旭 、高橋英樹、宍戸錠らを主演に迎えた。『殺しの烙印』は一般映画のみならずカルト映画 としても世界的な評価が高い。『ツィゴイネルワイゼン』、『陽炎座』、『夢二』などで は幽遠な映像美を見せた。その独特の映像表現は「清順美学」と呼ばれる。

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  Film & Animation

[thomas yen]

Best!!!!!!!