The Merry Wives of Windsor - end of play, part 2 of 2

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Uploaded by on Mar 11, 2008

Act 5, scene 5, line 106 to end of play (Arden edition) by William Shakespeare

as part of the "Fawlty Towers" Shakespeare trilogy, go here to see John Cleese as Petruchio in "The Taming of the Shrew":
http://www.youtube.com/watch?v=V2NnhBNq6h8

and here to see Andrew Sachs as Trinculo in "The Tempest":
http://www.youtube.com/watch?v=8P-lNzgA7jI

The final scene was by far the best part of this production.

Prunella Scales ... Mistress Page
Judy Davis ... Mistress Ford
Richard Griffiths ... Sir John Falstaff
Tenniel Evans ... Sir Hugh Evans
Richard O'Callaghan ... Slender
Michael Bryant ... Doctor Caius
Bryan Marshall ... George Page
Simon Chandler ... Fenton
Miranda Foster ... Anne Page
Ben Kingsley ... Frank Ford

Directed by David Hugh Jones (as David Jones)

Original Music by Dominic Muldowney


from Samuel Johnson: Notes to Shakespeare:

General Observation. Of this play there is a tradition preserved by Mr. Rowe, that it was written at the command of queen Elizabeth, who was so delighted with the character of Falstaff, that she wished it to be diffused through more plays; but suspecting that it might pall by continued uniformity, directed the poet to diversify his manner, by shewing him in love. No task is harder than that of writing to the ideas of another. Shakespeare knew what the queen, if the story be true, seems not to have known, that by any real passion of tenderness, the selfish craft, the careless jollity, and the lazy luxury of Falstaff must have suffered so much abatement, that little of his former cast would have remained.

Falstaff could not love, but by ceasing to be Falstaff. He could only counterfeit love, and his professions could be prompted, not by the hope of pleasure, but of money. Thus the poet approached as near as he could to the work enjoined him; yet having perhaps in the former plays completed his own idea, seems not to have been able to give Falstaff all his former power of entertainment.

Category:

Comedy

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Standard YouTube License

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  • Thanks for posting this, it's good - I have the video - I was in a production a long time ago and we played it a lot faster, where it can take it, particularly in the scenes if Ford's house "nor I too there is no bodies" came at the end of a chase round the building, leaving all out of breath. Excellent fun !

  • It is always sweet when Shakespeare attempts to write a comedy; and this time he has created some funny moments, like when Falstaff is mistaken for a old witch and beaten by the jealous husband Ford; who runs mad and always managed to make the ploys of his wife and her friend Mistress Page turn real; but then he departs in fairy tales about elves, the usually contemplative melancholy and his poetic enchantments; the figure of the French doctor does not help: It ends up as a romance.

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