Mai ri mein ka se kahun..lata-madan moham-Majrooh-tribute to true maestro Madan Mohan

Song : Mai re main kase kahun peer apne jiya ki ..
Film : Dastak (1970) The Knock
Singers: Lata mANGESHKAR / Madan Mohan, :
Lyricist : Majrooh Sultanpuri,
Music Director : Madan Mohan,
Cast : Sanjeev Kumar,Rehana Sultan,Anju Mahendru, Shakeela,Kamal Kapoor, Manmohan Krishna,
Writer/Director/Producer : Rajindar Singh Bedi,
Editor : Hrishikesh Mukherjee



Lyrics

———————————————-
Lata version

haan
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri

os nayan ki unke meri lagi ko bujhaaye naa
tan man bhigo de aake aisi ghataa koyi chhaaye naa
mohe bahaa le jaaye aisi lahar koyi aaye naa
os nayan ki unke meri lagi ko bujhaaye naa
padi nadiyaa ke kinaare main pyaasi
maayi ri

pee ki dagar mein baithe mailaa huaa ri meraa aanchraa
mukhdaa hai pheekaa pheekaa nainon mein sohe nahin kaajraa
koyi jo dekhe maiyaa preet kaa waase kahoon maajraa
lat mein padi kaisi birhaa ki maati
maayi ri ...

aankhon mein chalte phirte roz mile piyaa baawre
bainyaa ki chhainyaa aake milte nahin kabhi saanvre
dukh ye milan kaa leke kaah kaaroon kahaan jaaun re
paakar bhi nahin unko main paati
maayi ri ...
haan
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri

maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri

———————————

Madan Mohan version

haan
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri main kaase kahoon peer apne jiyaa ki
maayi ri

pee ki dagar mein baithe mailaa huaa ri meraa aanchraa
mukhdaa hai pheekaa pheekaa nainon mein sohe nahin kaajraa
koyi jo dekhe maiyaa preet kaa waase kahoon maajraa
pee ki dagar mein baithe mailaa huaa ri meraa aanchraa
lat mein padi kaisi birhaa ki maati
maayi ri
haan maayi ri main kaase kahoon preet apne jiya ki
maayi ri...

aankhon mein chalte phirte roz mile piyaa baawre
bainyaa ki chhainyaa aake milte nahin kabhi saanvre
dukh ye milan kaa leke kaah kaaroon kahaan jaaun re
aankhon mein chalte phirte roz mile piyaa baawre
paakar bhi naahin unko main paati
maayi ri main kaase kahoon peer apne jiya ki
maayi ri




The film was known for its unusual story line set in a red light area, where a newly-wed couple Hamid (Sanjeev Kumar) and Salma (Rehana Sultan) unwittingly rent a flat, and thus begins their daily turmoil at the knocks (Dastak) on their door, as the previous occupant of their home was Shamshad Begum (Shakeela), a famous mujrewali (nautch girl).
The film presents an expanded version of his radio play, Naql-e-Makaani (Moving to a New House), first performed on All India Radio, Lahore in 1944.


Rehana Sultan, (born 19 November c.1950 is an Indian film actress best known for her debut role in the 1970 acclaimed film Dastak which won her the National Film Award for Best Actress. A graduate of Film and Television Institute of India, FTII, Pune, she is also known for another bold role in the film Chetna (1970), which got her type casted thus ended her film career, despite its promising start.
Born and raised in Allahabad to Bahá'í parents, she graduated from the High School in 1967, and got selected in the same year to study acting at the Film and Television Institute of India (FTII) in Pune.[4] After she graduated with a sexy role in Vishwanath Ayengar's diploma film Shadi Ki Pehli Salgirah (1967), she got her break in a feature film in Rajinder Singh Bedi's film Dastak (1970), making her the first actress from the Institute to land a lead role in the film industry.[6][7] She won the National Film Award for her role in that film. In the same year she also played the lead role in the film Chetna which was shot in 28 days along with the shooting of Dastak. That film was about the rehabilitation of prostitutes, and her role changed the portrayal of sex workers in Hindi cinema.[8]

Her sexy roles brought her success but also limited her choice of roles in future films. She landed not too many films including Haar Jeet (1972), Prem Parvat (1973), and the famous political satire Kissa Kursi Ka (1977). After starring in Vijay Anand's Hum Rahen Na Rahen (1984) along with Shabana Azmi, she got married in 1984 to writer-director B. R. Ishara, who had directed her second film Chetna. She appeared in a television series for ETV. The couple lives in Mumbai. She appeared also in a Punjabi movie Putt Jattan De(1981) with Shatrughan Sinha

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[mastkalandr]

@roswellking ..Truly said..His music was characterized by his immense ability to meld elements of Deshi and Western classical music into a new style of Hindi filmi song.

He had a keen and sensitive ear for the nuances of Indian classical tunes ,such as harmonies to produce a style of music that could be appreciated by both classical music aficionados and the common person alike

Thanks for sharing my small tribute..to the Madan Mohan:

An Unforgettable Composer musical talent

[roswellking]

I am from Pakistan I think Madan Sahib was one of the best composer of all time, He was ahead of his time wow

[mastkalandr]

@TheRavipinky ..Truly said..

Thanks for sharing dear friend !..

[TheRavipinky]

lata is very good in all moods. we Indians r blessed being born in her times

[mastkalandr]

@tufailheera ..Welcome..

Thanks for sharing a small tribute to gr8 MM..

[tufailheera]

This is beautiful sad song.

Thanks for upload.