Multiple Income Streams of Music Business Part 2 of 3

http://www.ecomputerrecordingsoftware.com/music-business/money-music-business...
In "Multiple Income Streams of Music Business Part 2" David Campos goes into the next 4 Streams of income in the music business .

- Music Publishing
- CD sales
- Teaching
- Endorsements

This information is based on David Campos' 20 years experience in the music industry. In these three parts David Campos will share how he managed to maximise his income by leveraging his music to make the most money through many different sources of income.

If you have any questions please post them below .

You can receive a FREE Ebook "Music Production 101" if you go and subscribe at
http://www.eComputerRecordingSoftware.com

Category:

Education

Tags:

• David
• Campos
• income
• streams
• music
• business
• studio
• hire
• session
• work
• commissioned
• educational
• Recording
• publishing
• CD
• sales
• Teaching
• Endorsements

[techgil]

Dave,

Where do Artists or bands go to find music if they are not song writers? So much published music can get lost like a needle in a hay stack. What do you suggest a song-writer/Musician do to get his music heard? What is the least expensive way to copyright my music? Thank you in advance for caring to share your knowledge Dave

Gil.

[DavidCamposComposer]

@techgil Hi Gill

Thats more like a book your asking for lol . Artists or record company A&R usually find songs for artists from music publishers or friends or Music producers etc..

[quincymh15]

hey David, you think you can do a video on copyrighting for artist/producers and about lawyers/ labels? i would really appreciate that thanks.

[DavidCamposComposer]

@quincymh15 Thanks for your suggestion

[sunnditty]

nice vids.....thnx fo all the info..just downloaded the ebook...nice work

[DavidCamposComposer]

@sunnditty Thank you

[ToneRevTutorials]

@ToneRevTutorials

2) record yourself on a camcorder, working on the track with even a newpaper proving the date of the recording.

3) always write down "all rights reserved to ___(whatever the name is)___"

4) lastly what costs a lot of money if you have many tracks is to actually pay for the copyright, as far as i know each track could be around 20 dollars to 100 depends on the track (don't take my word for this one though)

[ToneRevTutorials]

@ToneRevTutorials

1) you have a track? great! bounce it and put the files with a readme file that explains about the track and when you created it. burn it on a cd and go to the post office, package it and send it to yourself. Dont open it ever unless in court and you must prove you were the first one to make this track.

[ToneRevTutorials]

@quincymh15 This is definitely something I would want more information on. There are a few ways I can already tell you about:

FIRST OF ALL !!! NEVER trust ANYONE with a track UNLESS you 100% HAVE TO and think this is a ONCE IN A LIFETIME OPPORTUNITY to work with that person BUT STILL take precautions:

[NocturnalLifeRecords]

Thank you for the information, the presentation was very clearly understandable.

[Eumusic1]

@DavidCamposComposer

yes I sub long time ago and received production 101,are you releasing any other e-books in the future?

[ldfkuhsdfkjhtgkreuh]

@DavidCamposComposer aah...looks sweet, enjoy it, its freezing here in Tokyo.