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This intermediate to advanced lesson covers a great exercise to help you link chords to scales a faster.
I show you the chord and scale for Dminor7, Gdominant7 and Cmajor7. You can apply the same patterns to all other minor7s, Dominant7s and major7s.
There are two possible scales we could use for the G7 chord so I show you G7 and the Gmixolydian mode. (G mixolydian mode goes from G to G on the C scale: GABCDEFG)
I also show you the G altered scale. This scale has a lot of crazy alterations in it and comes from melodic minor scales. It has the notes: G(root) Ab(b9) Bb(#9) B(3rd) Db(b5) Eb(#5) F(b7) G.
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I can't believe I never knew until now that the altered scale is literally a scale made off of altered notes in chords
akamarutv 1 year ago
i cant understand the altered scales... on every minor chord we can play dorian scale; on every dominant we play mixolydian, on major we can play ionian what about lydian scales with sharp fourth?? how we create altered chords? G7alt sounds pretty nasty!
JazzChrissPL 1 year ago
i like this lesson....can u please teach more on altered scales and chords
71letitbe45 2 years ago
This is good stuff, If you have more that you are teaching PLEASE LET ME KNOW!!!
SPACEBOT123 2 years ago