A REMIX OF EXPERIENCE that
...considers some of the poetry of existence, how ways in which things come together --how things converge in some way for some period of time are forms of poetry
(capable of overcoming barriers)
forms of poetry that occur on all scales and should be able to occur in some way in any form of reality
So this video celebrates beauty of the temporary, the limited bond of linking --of course things can and do fall apart, but such collapse does not overcome an ability to connect and build; yes --ways of meeting and the structures that meeting and interaction form
In this video: adoration of flexible framing systems of realities, adoration of patterns formed by interacting, these connections as extensions of possibilities, as kaleidoscopic symmetries (a form of fractal thinking)
(a form of system of infinitely shifting mirrors and reflections)
...a seeking of pleasing (for there are others); a search for an overwhelmingly pleasing iteration of an applied philosophical principle of Limited Fork Theory
...a necessity of looking for ways to connect and meanings of connections (none of which may be permanent) wherever they occur, in any reality, tiny or large, visible or invisible
...sometimes even stopping to make sure that what may be accessed right where you are is not as overlooked or as understudied as usual
...considers connections made right here, including the work of robertodedomenico in youtube reality (his channel: http://www.youtube.com/robertodedomenico)
the work of JohnTheMistyc (http://www.youtube.com/JohnTheMistyc)
and sounds from Strexxaudiolab --some of which are part of this video study of realities and connections and centers of existences (the Strexxaudiolab channel: http://www.youtube.com/Strexxaudiolab)
For outcomes of connections and opportunities tend to be collaborative; this video in responding to perceptions of realities is in a partnership with those realities. Each response is a perceptual remix of something noticed, something experienced; this video poam (product of act of making) explores some of what I am noticing and trying to understand about possibilities of possible realities
(including those that are possible in the quite real location called imagination --which is capable of generating and sustaining universes [on some scale for some duration of time] --universos magnificos).
Thank you for watching/reading/hearing/experiencing this work, for being willing to subject yourself to a possibility of a remixing of thinking, a remixing of perception, and than you for navigating some metaphysical traffic --some nature of realities.
This is (some of) the art that realities configure in the patterns of their interactions and intersections.
Art-full realities and art-full universes.
Window-shopping for realities; anything that exists --even lies and other forms of the imaginary-- is real for being part of reality.
Realities as window-dressing.
A parade of realities
(that a system of reflections on windows of an art gallery and surrounding retail shops and restaurants
presents to someone who in observing patterns of a system of reflections becomes part of that system of reflections)
(even a parade of deeply-embedded red dresses: red dress, after red dress, after red dress --so many vivid chances for incredible tailoring)
A shuffling of what's possible (including identities) (the hand that's dealt) as stuff interacts (on State Street). Red Dress as perceptual illusion (illusions exist, are real) in the GALLERY OF REALITIES. Explores a flexibility of realities that allows anything to come together --on some scale, even if just for the briefest, immeasurable amount of time. As things appear to come together, here and there somewhere for some length of time (not that time must be or is best represented as length) RED appears to succeed in its pursuit of dress, and a Hoochie Mama moment occurs, is tailored (in the reality [temporarily] supportive of that reality mix): a Red Dress moves in, on, through her, or hovers (sunset remix) or remains (just) out of reach (may the devil always be just so).
That Red Dress moment is also code for extended Euphoria of Reality.
The Immersed Life.
(spoken words by Thylias Moss)
i like the look. i've posted a video response. i'm a poet who is woring in video
soulspeakspring 3 years ago
Thank you for the video responses
and thank you for your compelling aesthetic worlds.
I agree that art offers important realities that help configure possibilities for the realities with which the art interacts.
forkergirl 3 years ago
Thank you so much.
forkergirl 2 years ago
Very interesting !
You say that anything that exists --even lies and other forms of the imaginary-- is real for being part of reality.
I think as you. Lies and imagination can create a new part of the reality when they are accepted. This point of view can be compared, in a certain way, whith the keen Charles Sanders' philosophy.
Interactions create meaning.
Fabienopolis 3 years ago
Oops sorry, I forgot the surname of Charles Sanders... Peirce.
Fabienopolis 3 years ago
Imagined and false locations/realms tend to be/become tethered to some local reference point that exists anywhere, even in a realm of error produced by a thinker's mistake.
I like how Peirce allowed that products of something real have as their factual nature their status as products of something real, such as the dream of a dreamer.
Such approaches allow for emergence of forms that might otherwise be discouraged.
Thank you so much for your comments!
forkergirl 3 years ago
I thought that you meant C S Peirce, & yes; I think you're right that there's a useful link between this thinking & some of Peirce's thinking. I very much like his advocacy of trying any theory that comes into the mind, so long as its adoption permits investigation to go on unimpeded and undiscouraged--nothing should interfere with inquiry in infinite or infinitesimal realms, including those realms that come into existence anywhere, imagined locations and any other form of location.
Thanks!
forkergirl 3 years ago