Gabrielle Chou (12yo) - Italian Concerto, Presto by Bach
Uploader Comments (KidMusician)
All Comments (13)
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Have you heard Monique Haas playing this?
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Brava!
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i'm working on this piece as well =]
i suggest that less pedal should be used...
although there are some minor mistakes, its still a great performance ;D
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Delightful!
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marvellous
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When I was 6 yrs old I used to think that I was the greatest pianist ever, but after hearing her...
Looks like she made it FAR ahead of me...
But absolutely fantastic!
Be Proud Of Yourself!
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She plays piano very well with fast and even spacing keys. She plays violin better with the pieces with less even spacing notes.
Please, give her some pieces that is slow for her to get more chance with free expression, such as France Schubert's Dream.
This piece is easy to play, but some technical kids fail to enjoy it both Piano and Violin or either of them.
Wonderful! Your technique is amazing. How many hours do you spend practicing every day?
Milene2007 4 years ago
Gabrielle studies both piano and violin, so she can only practice 2 hours for each every day on average. Not enough.
KidMusician 4 years ago
I edited the last few comments to remove "not so polite" language from them, but keep the opinions. We welcome everyone to comment on the video, but please be "very polite" if you have to comment on other people's comments, otherwise, your comment may be removed or edited for younger visitors. Thank you!
KidMusician 4 years ago
(From visitor 3)...This is a concerto for solo piano. There needs to be a lot of contrast. Glenn Gould played this piece badly because he hated it.
KidMusician 4 years ago
(From visitor 2) The best way to play this piece is a bit "automatically" like a clockwork. One reason is that this piece is originally for harpsichord (Glenn Gould played Bach simular on the piano). So Gabrielle played this very very well and treated the piano like a harpsichord - in her other recordings she played very sensible and absolutely not automatically.
KidMusician 4 years ago
(From 123mortimer) There nothing automatic here. There is instead intelligence and lucidity and structural clarity. She approaches this piece the way Rosalyn Tureck does. That's not bad company.
KidMusician 4 years ago