Hear and Play Jazz 201: How To Play The Bebop Scale Better Than Ever!

Visit http://www.HearandPlayJazz201.com for more...

James Wrubel, from the Hear And Play jazz 201 learning dvd, gives you a great inside look into the infamous bebop scale that can take your jazz playing to another level!

It's a few minutes of a mega multi-hour course on playing by ear (with no sheet music).

James has played with jazz greats such as Brian Lynch, the late Jon Stubblefield, Leslie Drayton, Keith Fiddmont, the late Ronald Muldrow, Tim Green, Bijon Watson, Gilbert Castellanos, Kim Richmond, Roger Cairns, Matt Roberts, Nedra Wheeler, Raymond Pounds, Del Atkins, Yoron Israel, Eddie Palmieri, Arturo O'Farrill, Conrad Herwig, Jimmy Bosch, Bobby Sanabria, Jose Madera, Los Fakires, Graham Collier, George Lewis and many more!

"Never Leave Jazz Chording and Soloing to Guesswork Again!

In Over 5 Hours, You'll Learn Exactly What It Takes To Sound Like You've Been Playing Jazz For Years!"

Discover the secrets to easily playing TONS of your favorite jazz numbers without sheet music or chord charts. You'll even learn how to incorporate the chords and soloing techniques you learn into real songs!

Master professional jazz voicings, progressions, and common patterns that'll have you playing like experienced pros in months... if not weeks!

Learn to make songs "your own" by applying several proven soloing strategies that work every time... even when you feel like you're in trouble and can't think of anything unique to play.

Discover the secrets to key changes and instantly transposing chords, riffs, and licks without having to memorize anything!

Uncover the secrets to creating seamless harmonic jazz movements.

Shortcuts to playing dozens of "2-5-1" chord progressions with seventh and ninth chords and how to make subtle changes that totally alter the way the chords sound!

Visit http://www.HearandPlayJazz201.com for more...

"You've Waited Long Enough!
Start Soloing and Improvising Now!"

Incorporate a special technique that'll give you a very polished sound and guarantee that you're the one shining up there!

Improvise like you've been playing jazz for years by perfecting tons of soloing tricks in your right hand! (The opportunity to stand out when the spotlight is solely on you is a right. And when you've earned it, you need to make it count!)

Learn how to incorporate tons of professional 2-5-1 jazz progressions and produce a unique sound every time by making very small changes!

Discover how to add underlying chordal support to produce a very full and rich sound and how to pick the right chords to accompany any jazz melody.

Learn how to improvise over altered chords, 7th, 9th, 11th, and 13th chords and how to sound unpredictable even though you're pulling from the same bag of tricks each time (...this one is interesting).

Integrate special the bebop scale to develop a well-rounded sound. You don't want to sound like you're playing the same thing over and over again. (Treat your playing like a big bag of tricks: The way James shows you how to mix and match all of them will certainly give your playing incredible balance)!

Visit http://www.HearandPlayJazz201.com for more info on the bebop scale!

Category:

Music

Tags:

• jazz
• music
• learn
• to
• play
• james
• wrubel
• jermaine
• griggs
• keyboard
• piano
• bebop
• scale
• gospel
• instruction
• Brian
• Lynch
• Jon
• Stubblefield
• Leslie
• Drayton
• Keith
• Fiddmont
• Ronald
• Muldrow
• Tim
• Green
• Bijon
• Watson
• Gilbert
• Castellanos
• Kim
• Richmond
• Roger
• Cairns
• Matt
• Roberts
• Nedra
• Wheeler
• Raymond
• Pounds
• Del
• Atkins
• Yoron
• Israel
• Eddie
• Palmieri
• Arturo
• O'Farrill
• Conrad
• Herwig
• Jimmy
• Bosch
• Bobby
• Sanabria
• Jose
• Madera
• Los
• Fakires
• Graham
• Collier
• George
• Lewis

[bonejazz]

Hello James,

Although I'm enjoying your breakdown of various scales one can implement over a dominant chord, I have one suggestion.

You don't have to work hard to swing 8th notes. Most books on jazz music tend to promote this concept of accenting every other note when phrasing 8th notes.

Any note value can swing. It's all about accents. Playing on one particular part of the beat is ridiculous. Clean, even legato phrasing is key.

Just a suggestion.

Peace & Keep Swinging,

Andre Hayward

[dan27music]

Thanks



[natefegan]

Cool...  Thank you for your kind intention to share your great knowledge and experience!

[PlushieClock]

I never knew there was a bebop scale until now. Thanks for teaching me this. :)

[reddupo]

"James Wrubel, from the Hear And Play jazz 201 learning dvd, gives you a great inside look into the infamous bebop scale that can take your jazz playing to another level! "

[retrocareermelted]

is that peter joseph playing? hahah

[26rabbit]

WOW! That was AWSOME!

[Hotspur21]

Cool, great, thank you so much!