QRS 1752 "I'm Looking For A Bluebird (To Chase My Blues Away) - Played by Pete Wendling

QRS 1752 "I"m Looking For A Bluebird (To Chase My Blues Away) - Fox Trot Played by Pete Wendling on my 1912 Stroud Metrostyle-Themodist player piano. Pete Wendling entertains us with quite a long performance in this roll. Lots of tasty riffs and some very low down chord work make this roll a lot of fun. I realy wish I could play like this :) I was really surprised when I overlooked this roll twice in a friend's collection (expecting an ordinary fox trot) and then finally decided to play through it, definitely a tame title! Please check out Marion Harris' recording of this on the Red Hot Jazz archive. I believe it is the only performance they have currently. I've used a better digital camera with this video and it makes the lyrics much clearer than my previous videos.

Category:

Music

Tags:

• QRS
• 1752
• Im
• Looking
• For
• Bluebird
• To
• Chase
• My
• Blues
• Away
• Fox
• Trot
• Pete
• Wendling
• Jazz
• Aeolian
• Stroud
• Player
• piano
• roll
• metrostyle
• themodist

[Pianosyncrazy]

Ah yes !  Pete! Thanks !!

[AAErikCO]

Very welcome! Your videos are great by the way.

[aknabea]

Very Nice!

[AAErikCO]

Glad you enjoyed it :)

[KawhackitaRag]

Terrific roll! Thanks for the post!

I wouldn't mind getting a recut of this one.

[AAErikCO]

No problem Andrew, glad you enjoyed.

Still don't have the money to fund small recut projects, but I'll let you know if this ever happens.

[colorkitties]

Thanks. I have the cover for the old sheet music of this framed, hanging on my wall, and always wondered what the tune sounds like...since I can't read music. I always imagined it was bluesy because of the title, but it's kind of rollicking.

[Pianosyncrazy]

Nice !!!

[KawhackitaRag]

I agree... please don't take down this video at this tempo... it sounds fantastic and really rocks at this tempo!

I just meant that were somebody to actually sing along with the roll, it would probably work better a bit slower, with plenty of dynamics on the part of the pianolist (although I notice you've put in some nice dynamics here... good pumping!)

[AAErikCO]

Thank you for the comments. I'm a big listener of 20's blues records and there seems to me to be a trend of "white" jazz being played a somewhat faster. IMO Pete's interpretation is perfect at 75. This just "feels" right to me. After playing through this roll I found 70 is simply too lack luster (it looses that 'shimmy' feel) which I think he wanted to create. Accompanists played soft and slow to highlight the virtuosity of the singer, but Wendling is showing off a bit here, so I let him :)

[KawhackitaRag]

OK I just found the original sheet music (public domain) at the UCLA Archive of Popular American Sheet Music. The original tempo marking on the sheet music is:

Molto "blues"

Make of that what you will. The score (by Freddie Rich, also a piano roll artist, bandleader, and hanger-on of the Harlem pianists) is incredibly rich and detailed, and the lyrics (by Blanche Merrill, either the white vaudevillian or the black wife of Willie "The Lion" Smith), are great.

This is a great song!