Elaine Hurley
The male/female dichotomy inherent in her practice is framed by a 20th C Irish viewpoint. Using real life situations and tensions between men and women as her point of departure, also inherent is the notion of the domestic as a site of confinement. Enduring physical gestures are used as metaphors for transformative psychological positions and as passive aggressive assertions of power. Her work is a social comment on the traditional representation of woman as object and on contemporary society through a representation of power playing situations.
The use of the Still and Moving image and the Loop as a representation of an irresolvable state are important components in the works. The space that lies between the still and moving image represents a tension between possibility and non-action indicating a latent possibility. She contends that ideas of impossibility are integral to the notion of equality. Cyclical competitive actions represent imbalances, repetition, failure and an acquisition of strength.
Link to this comment:
All Comments (0)