Easy jazz standard analyzed (now www.TrueGuitarist.com)
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Uploader Comments (playgtrcouk)
All Comments (19)
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GREAT teacher!
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@danlovesnan the tunes modulated to D major and E-7 to A7 is a ii - V (2-5) in the key of D major.
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IT IS NOT EASY JAZZ... THE JAZZ IT´S NOT EASY...
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hello! I understand that I can substitute a A7 with a Eb7...I can't understand why there should be a A7 after a E-7 ...can you give me a hint?!?!..I mean: you said that's a 2-5..ok, but in this case we'are not in Gmaj anymore, but in Dmaj...but for some reason I can still play a Gmaj on these chords...can you explane it to me? Please!! I'll get you a bear!! I swear!!
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hello! I understand that I can substitute a A7 with a Eb7...I can't understand why there should be a A7 after a E-7 ...can you give me a hint?!?!
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can I play an A flatmaj7 on the last three chords of the second line's chords?(F-B-E9
i wanna play what in Italian is called "La bemolle maj 7" arpeggio or major scale: it's the 6th mode of the melodic minor...can I also play the 5th mode? IT'S G7, an arpeggio for example...or the Eminor scale?
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@danlovesnan B7 is the dominant7 chord that resolves to E ( minor in this case) just like D7 resolves to G. This is a common situation. You find this also within the same key: they are usually called secondary dominants (google it)...
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Your English is great but you sound slightly italian. Good stuff.
can you explain me why E-7 and Eb9 and D-7 and Db9 are similar? How does this substitution work? Thank you
danlovesnan 1 year ago
@danlovesnan it's called tritone substitution: watch the 'Tritone Substitution/Passing Chords' video on my channel. Thanks for your comment!
playgtrcouk 1 year ago