Act I. Scene VII
Judi Dench ... Lady Macbeth
Denyse Alexander ... Gentlewoman
John Woodnutt ... Doctor
from the 1979 TV version of the Trevor Nunn production by the Royal Shakespeare Company
...
Act I. Scene VII
Judi Dench ... Lady Macbeth Denyse Alexander ... Gentlewoman John Woodnutt ... Doctor
from the 1979 TV version of the Trevor Nunn production by the Royal Shakespeare Company
Dr. Johnson wrote:
The arguments by which Lady Macbeth persuades her husband to commit the murder afford a proof of Shakespeare's knowledge of human nature. She urges the excellence and dignity of courage, a glittering idea which has dazzled mankind from age to age, and animated sometimes the housebreaker and sometimes the conqueror; but this sophism Macbeth has for ever destroyed, by distinguishing true from false fortitude, in a line and a half; of which it may almost be said, that they ought to bestow immortality on the author, though all his other productions had been lost.
I dare do all that may become a man, Who dares no more, is none.
This topic, which has been always employed with too much success, is used in this scene, with peculiar propriety, to a soldier by a woman. Courage is the distinguishing virtue of a soldier; and the reproach of cowardice cannot be borne by any man from a woman without great impatience. She then urges the oaths by which he had bound himself to murder Duncan, another art of sophistry by which men have sometimes deluded their conscience, and persuaded themselves that what would be criminal in others is virtuous in them: this argument Shakespeare, whose plan obliged him to make Macbeth yield, has not confuted, though he might easily have shown that a former obligation could not be vacated by a latter ; that obligations, laid on us by a higher power, could not be overruled by obligations which we lay upon ourselves.
given suck/and know how tender 'tis to love the babe
Knowles: ("Lectures on Dramatic Literature"): A great stress is sometimes laid upon this passage, as presenting a redeeming trait in Lady Macbeth's character. But we have only her own assertion; and granting it to be true, what value do we attach to Lady Macbeth's notion of tenderness? Is it the tenderness of which a humane and gentle and truly feminine mother is susceptible ?
May we not assume, too, that she colours the circumstance with the view of shaming her husband into guilty resolution, by telling how in defiance to nature's most holy law, she would have cleaved to her oath ? I think we may infer, from the nature of her boast, the tenderness of her maternal feelings. I form my idea of Lady Macbeth's character, not from what she says, but from what she does
G. Fletcher ("Studies of Shakespeare ") :
Her quiet reply, ' We fail,' is every way most characteristic of the speaker—expressing that moral firmness in herself which makes her quite prepared to endure the consequence of failure—and, at the same time, conveying the most decisive rebuke of such moral cowardice in her husband as can make him recede from a purpose merely on account of the possibility of defeat—a possibility which, up to the very completion of their design, seems never absent from her own mind, though she finds it necessary to banish it from that of her husband.
Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
@Beckybabes24 I would suggest playing her as an actress in the play--meaning, she is playing the role of the "good wife" in order to manipulate Macbeth. Yet, at times, I would play her as the more powerful of the two--play her as the one who pushes him beyond his "vaulting ambition." Play her as the one who truly hides her true face--"false face must hide what false heart doth know."
That said, note the reversal in role as the play continues: MmmBeth becomes the bloddy and ambitious one; and she withdraws, transforming from "a little water clears us of this deed" to "will these hands ne'er be clean." And her invocation of the dark early in the play contrasting with her need for candlelight at the end. Just some thoughts.
Holy Gawd, I love ian McKellan! In my actor top ten. One issue with the video--I despise the early/mid-twentieth century notion that sioliloquy should be directed to the audience. I don't like it when Shakespeare breaks the non-Uta fourth wall.
I think the breaking of the fourth wall is very powerful. It's purpose is to actively win the support of the audience; it's history is from the greek Tragedy!
It works when it works. I don't belive that Shakespeare was designed for it. Shakespeare is only extradramatic in his Choruses. Greek Tragedy's Choruses were directed to the gods. Too often actors take "aside" to mean "to the audience;" this is not so. If the fourth wall is continually shattered, it loses all value. Excepted are certain plays designed to be extradramtic; e. g., "Rosencrantz. . . are Dead", "The Glass Menagerie," et al.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.