Michael Maniaci - Parto, Ma Tu Ben Mio

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
3,791
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Mar 24, 2010

Disclaimer- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

From his amazing album "Mozart - Arias for male soprano".
I think his tone is pure and beautiful on the middle and upper register, but not so solid on the low register, unlike countertenors or sopranists, Michael sounds more comfortable singing higher!

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (primohomme)

  • @primohomme alto castrato had lower vocal range then Michael :) and when they completed soprano range with head voice or falsetto they should be classify as soprano contretenor or falsetto soprano?

  • @2010wieliczka

    When did I say Michael Maniaci was an alto castrato? I don't recall.

    And a man who is not a natural alto/soprano but accesses that tessitura by use of falsetto is either a countertenor (singing in the alto range) or a sopranist (a high countertenor).

  • He is not a castratti just a puberty condition

  • @calev48

    Obviously, specially considering castration of a child is illegal nowadays...

  • too much vibrato for a person who is supposed to sound somehow like a castrato...

  • @leoperarm

    His technique is modern, not of the school of Porpora.

see all

All Comments (21)

Sign In or Sign Up now to post a comment!
  • @primohomme Misunderstanding. I notice, that in history of music where some alto castratos who had lower natural register then this of Michael- uncrippled man with higher natural voice then some castrati. An ironic twist of fate.

    Dariusz Paradowski had full soprano range with voice unlike to falsetto, it was rich, full, flexible voice. Nobody knows where his natural voice was ending and “unnatural” started, rather up to alto range. He was described both as sopranist and countertenor.

  • I really cannot understand how people come on here saying there's too much vibrato and it's not what the composer intended. In that case, this is Mozart's last opera - so then would you suggest Pamina and Despina and Figaro and Susanna ALL sing without vibrato? Because that's what your contending! If it's ok for singers of other voice types to sing with vibrato in this repertoire as well as Baroque, then why can't countertenors and male sopranos? Answer that one.... I dare you.

  • What do you guys think of my version? It's on here under ROBERT E. LEE, MALE SOPRANO - I have my own recording of Parto, Parto on here. Would love to see what you think.

  • No, pues un castrato producía sonidos fuera de este mundo. Ésta, por supuesto, es voz humana. Aun la del maestro Moreschi suena penetrante, a pesar de no haber vivido en los tiempos de los grandes castrados

  • amazing voice!!

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more