This song is a brief avant-garde jam recorded in Spring 2009. It was recorded as a spur-of-the-moment end-of-practice jam, when keyboardist Daniel Bromfield proposed recording a song that was 1:08 in length. It is the third song on Bass 10s second studio album, Angel In A Blender, as well as the first song on the album to feature what would be the albums standard instrumental breakdown. Also of note is that this instrumental lineup is the same as on the second track, Canned California Tunafish, only with Santiago Drexler and Garrett Kobsef switching drums & woodwinds.
This song is notable as one of the few true evidences of metal influences in Bass 10s repertoire. These influences are largely due to guitarist Zach Chow, a devotee of metal guitar. The heavy sound of this track was also largely unintended, whereas the title track was intended to be heavy, though with little success. Beatles-inspired flute riffs and bass-heavy drumming can also be heard among the guitar.
Daniel Bromfield -- keyboards
Garrett Kobsef -- drums
Rena Simon-Igra -- guitars
Santiago Drexler -- flute
Zach Chow -- guitars
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