Malaysia's social and political problems become the main subject of Nao's music, revealing and dissecting them with aggressive criticisms. Perhaps most notable of all is its primal criticisms of the so-called sensitive racial-bias subjects in Malaysia - Construct of Decadence and Tombstone expresses how politicians exploit racial politics for personal gains by creating unwarranted tension between the different races.Nao's insistence to work in Mandarin signifies its defiance to the government's suppressive anti-mother tongue education policies.
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