Making D n S Christmas Song

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Early
Music was an early feature of the Christmas season and its celebrations. The earliest chants, litanies, and hymns were Latin works intended for use during the church liturgy, rather than popular songs. The 13th century saw the rise of the carol written in the vernacular under the influence of Francis of Assisi.
In the Middle Ages, the English combined circle dances with singing and called them carols. Later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive. From Italy, it passed to France and Germany, and later to England. Christmas carols in English first appear in a 1426 work of John Audelay, a Shropshire priest and poet, who lists twenty five "caroles of Cristemas", probably sung by groups of wassailers, who went from house to house.[1] Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of the great musicians.


A Christmas minstrel playing pipe and tabor.
[edit]Puritan prohibition
During the Commonwealth of England government under Cromwell, the Rump Parliament prohibited the practice of singing Christmas carols as pagan and sinful. Like other customs associated with popular Catholic Christianity, it earned the disapproval of Protestant Puritans. Famously, Cromwell's interregnum prohibited all celebrations of the Christmas holiday. This attempt to ban the public celebration of Christmas can also be seen in the early history of Father Christmas.
The Westminster Assembly of Divines established Sunday as the only holy day in the calendar in 1644. The new liturgy produced for the English church recognised this in 1645 and so legally abolished Christmas. Its celebration was declared an offence by Parliament in 1647.[2] There is some debate as to the effectiveness of this ban and whether or not it was enforced in the country.[2]
Puritans generally disapproved of the celebration of Christmas — a trend which has continually resurfaced in Europe and the USA through the eighteenth, nineteenth and twentieth centuries.[3]
[edit]Royal restoration
When in May 1660 Charles II restored the Stuarts to the throne, the people of England once again practised the public singing of Christmas carols as part of the revival of Christmas customs, sanctioned by the king's own celebrations.[2] William B. Sandys Christmas Carols Ancient and Modern (1833), contained the first appearance in print of many now-classic English carols, and contributed to the mid-Victorian revival of the holiday.[4] Singing carols in church was instituted on Christmas Eve 1880 (Nine Lessons and Carols) in Truro Cathedral, Cornwall, England, which is now seen in churches all over the world.[5]
[edit]Alms
The tradition of singing Christmas carols in return for alms or charity began in England in the seventeenth century after the Restoration. Town musicians or 'waits' were licensed to collect money in the streets in the weeks preceding Christmas, the custom spread throughout the population by the eighteenth and nineteenth centuries up to the present day. Also from the seventeenth century, there was the English custom predominantly involving women, taking a 'wassail bowl' round their neighbours to solicit gifts, accompanied by carols. Despite this long history, almost all surviving Christmas carols date only from the nineteenth century onwards, with the exception of some traditional folk songs such as; 'God Rest You Merry Gentlemen', 'As I Sat on a Sunny Bank' and 'The Holly and the Ivy'.[6]
[edit]Church feast
The status of Christmas as an important feast within the church year also means there is a long tradition of music specially composed for celebrating the season. The following is a brief and non-exhaustive list of notable compositions:
Thomas Tallis: Mass "Puer natus est nobis" (1554)
Heinrich Schütz: Weihnachtshistorie (1664)
Marc-Antoine Charpentier: Pastorale sur la naissance de N.S. Jésus-Christ (c. 1670)
Johann Sebastian Bach: several cantatas for Christmas to Epiphany and Christmas Oratorio (1734)
George Frideric Handel: Messiah (1741)
Messiah has become inextricably linked with the Christmas season, especially in England. This is in part due to the efforts of amateur choral societies during the nineteenth century. When it was composed, it was performed during Passiontide.
Jakub Jan Ryba: Czech Christmas Mass "Hey, Master!" (1796)
Various 18th century composers such as Arcangelo Corelli, Antonio Vivaldi, Giuseppe Torelli & others: Christmas Concertos (for performance on Christmas Eve)
Hector Berlioz: L'enfance du Christ (1853--4)
Camille Saint-Saëns: Oratorio de Noël (1858)
Benjamin Britten: A Ceremony of Carols (1942)

All Edit By Diluka Perera

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