Rite of Spring for Wind Quintet (Part 1, 1/2)

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Uploaded by on Apr 8, 2010

Transcription by Michael Byerly, performed by QUILF -
Johanna Borenstein (Flutes),
Jack Cozen Harel (Oboe, English Horn, Clarinet),
Michael Byerly (Clarinets),
Marat Rakhmatullaev (Bassoon)
and Rachel Childers (Horn)
At the Colburn School, April 2010

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Music

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Uploader Comments (flutefreak8290)

  • BRAVA!!!my question is also the note, how can we get the score?please help us.thank you.

  • @juhandi1  Contact mwbyerly, the clarinetist in the video on youtube for info. Thanks for watching!

  • amazing! is there any way of getting hold of the arrangement?

  • @Jvenvell Contact mwbyerly, the clarinetist in the video on youtube for info. Thanks for watching!

  • I love this! How can I get the score?!?

  • @hornguy523 Contact mwbyerly, the clarinetist in the video on youtube for info. Thanks for watching!

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All Comments (46)

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  • @flutefreak8290 I tried contacting mwbyerly to get a copy of the piece, but I never recieved a response. Where should I go from here?

  • @Jimbothenoob I was going to say this, but I'm impressed with how the introduction keeps a lot of its charm.

  • Nice performance! The oboist should invest in some quieter instrument stands -- it was quite disruptive, especially every time he put the English horn down.

  • l'oboista prende il clarinetto??? ahahaha

  • buenisisimo!!!!

  • Beautiful arrangement and performance, with the bass clarinet in some passages will sound perfect! Is it any possibilities to buy that score?

  • *** JOHANNA BORENSTEIN ~ CELEBRATED ARTIST FROM THE COLBURN CONSERVATORY OF MUSIC, CHECK OUT OUR WEBSITE! "CREATING TOMORROW'S CLASSICS" at the Colburn School ***

  • how do i contact mwbyerly?

  • @crookedmelody1 A clarinet...

    He's using three. The large one is in A and the smallest is the Eb - known for it's shrill piercing sound, especially in the upper register.

    The Eb is used in many of Stravinsky's large orchestral compositions, including the Rite of Spring. Other big excerpts can be found in Ravel's Bolero, Strauss's Till Eulenspiegel’s Merry Pranks, and the final movement of Berlioz's "Symphonie Fantastique."

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