@Uteliselottechrista Blockflöten hat Bach nur in der "Urfassung" des Magnificat BWV 243 a in Es-Dur vorgeschrieben, in der zweiten und ungemein populäreren Fassung BWV 243 in D-Dur sind Traversflöten an ihre Stelle getreten. Daher kann man Madame Haim keinerlei Vorwürfe machen, mir gefällt die Version mit Blockflöten dennoch besser.
"Tot capita, tot sententiae": I hear an excess of romanticism in the pronounciation of text (it's funny the "spray-sss"). But the volume seems ok, even if he seems to have just one strength of sound for all repertoires.
Well this is a piece of devote church music with a delicate and very soft instrumental accompanyment (2 transverse flutes, cello pizzicato and organ), why should he sing it like a Valkyria at Bayreuth?
It is true that greatly exaggerates the sssss ... but the phrase "in anes" (with nothing) is good.
The text says that the humble, God filled with good things, and arrogant, leave them with nothing.
By the way, I do NOT hear a "horrifying portamento" in 1:50 ... horrible would hear the eighth cut!
AlephCantus 1 year ago
Minuto 1:50 : "bo________niSSS". Cioè, un portamento orripilante sull'ottava e, come se fosse poco, una "s" berciata e soffiata come un istrice.
Perché poi gli uomini non cantino con la loro voce naturale, ancora ho da capirlo.
Werckstarck 1 year ago
@Uteliselottechrista Blockflöten hat Bach nur in der "Urfassung" des Magnificat BWV 243 a in Es-Dur vorgeschrieben, in der zweiten und ungemein populäreren Fassung BWV 243 in D-Dur sind Traversflöten an ihre Stelle getreten. Daher kann man Madame Haim keinerlei Vorwürfe machen, mir gefällt die Version mit Blockflöten dennoch besser.
ChristianusHorestes 1 year ago
Leider aber recht undeutliche Textverständlichkeit und keine originalen Blockflöten. Schade. Doch schöne barocke Version.
Uteliselottechrista 1 year ago
It's very good, but the best versions I've heard so far are Charles Brett's and Daniel Taylor's! Anyway, it's a very good version too!
serenaluce 1 year ago
"Tot capita, tot sententiae": I hear an excess of romanticism in the pronounciation of text (it's funny the "spray-sss"). But the volume seems ok, even if he seems to have just one strength of sound for all repertoires.
lojundolo 2 years ago
Well this is a piece of devote church music with a delicate and very soft instrumental accompanyment (2 transverse flutes, cello pizzicato and organ), why should he sing it like a Valkyria at Bayreuth?
anzugfesselfun 2 years ago 2
I really like it, although I do think his S's are a bit loud.. Bonisss, Nobisss.. :P
srjdj 2 years ago
Très belle soprano! J'adore ça voix! Merci Un vrais plaisir! AV
ALEXISVASSILIEV 2 years ago
beautiful
rlaygus 2 years ago