Faded Love

Buck and Billo sing Bob Wills classic, Faded Love.
Toward the end of the decade, big bands were dominating popular music and Wills wanted a band capable of playing complex, jazz-inspired arrangements. To help him achieve his sound, he hired arranger and guitarist Eldon Shamblin, who wrote charts that fused country with big band music for the Texas Playboys. By 1940, he had replaced some of the weaker musicians in the lineup, winding up with a full 18-piece band. The Texas Playboys were breaking concert attendance records across the country, filling out venues from Tulsa to California, and they also had their first genuine national hit with "New San Antonio Rose," which climbed to number 11 in 1940. Throughout 1941 and 1942, Wills and His Texas Playboys continued to record and perform and they were one of the most popular bands in the country. However, their popularity was quickly derailed by the arrival of World War II. Duncan enlisted in the Army after Pearl Harbor and Stricklin became a defense plant worker. Late in 1942, McAuliffe and Shamblin both left the group. Wills enlisted in the Army late in 1942, but he was discharged as being unfit for service in the summer of 1943, primarily because he was out of shape and disagreeable. Duncan was discharged around the same time and the pair moved to California by the end of 1943. Wills revamped the sound of the Texas Playboys after World War II, cutting out the horn section and relying on amplified string instruments.

During the '40s, Art Satherley had moved from ARC to OKeh Records and Wills followed him to the new label. His first single for OKeh was a new version of "New San Antonio Rose" and it became a Top Ten hit early in 1944, crossing over into the Top 20 on the pop charts. Wills stayed with OKeh for about year, having several Top Ten hits, as well as the number ones "Smoke on the Water" and "Stars and Stripes on Iwo Jima." After he left OKeh, he signed with Columbia Records, releasing his first single for the label, "Texas Playboy Rag," toward the end of 1945.

In 1946, the Texas Playboys began recording a series of transcriptions for Oakland, CA's Tiffany Music Corporation. Tiffany's plan was to syndicate the transcriptions throughout the Southwest, but their goal was never fulfilled. Nevertheless, the Texas Playboys made a number of transcriptions in 1946 and 1947, and these are the only recordings of the band playing extended jams. Consequently, they are close approximations of the group's live sound. Though the Tiffany transcriptions would turn out to be important historical items, the recordings that kept Wills and His Texas Playboys in the charts were their singles for Columbia, which were consistently reaching the Top Five between 1945 and 1948; in the summer of 1946, they had their biggest hit, "New Spanish Two Step," which spent 16 weeks at number one.

Guitarist Eldon Shamblin returned to the Playboys in 1947, the final year Wills recorded for Columbia Records. Beginning in late 1947, Wills was signed to MGM. His first single for the label, "Bubbles in My Beer," was a Top Ten hit early in 1948, as was its follow-up, "Keeper of My Heart." Though the Texas Playboys were one of the most popular bands in the nation, they were beginning to fight internally, mainly because Wills had developed a drinking problem that caused him to behave erratically. Furthermore, Wills came to believe Duncan was demanding too much attention and asking for too much money. By the end of 1948, he had fired the singer.

Duncan's departure couldn't have come at a worse time. Western swing was beginning to fall out of public favor, and Wills' recordings weren't as consistently successful as they had been before; he had no hits at all in 1949. That year, he relocated to Oklahoma, beginning a 15-year stretch of frequent moves, all designed to find a thriving market for the band. In 1950, he had two Top Ten hits, "Ida Red Likes the Boogie" and "Faded Love," which would become a country standard; they would be his last hits for a decade. Throughout the '50s, he struggled with poor health and poor finances, but he continued to perform frequently. However, his audience continued to shrink, despite his attempts to hold on to it. Wills moved throughout the Southwest during the decade, without ever finding a new home base. Audiences at dance halls plummeted with the advent of television and rock & roll. The Texas Playboys made some records for Decca that went unnoticed in the mid-'50s. In 1959, Wills signed with Liberty Records, where he was produced by Tommy Allsup, a former Playboy. Before recording his first sessions with Liberty, Wills expanded the lineup of the band again and reunited with Duncan. The results were a success, with "Heart to Heart Talk" climbing into the Top Ten during the summer of 1960. Again, the Texas Playboys were drawing sizable crowds and selling a respectable amount of records.

Category:

Music

Tags:

• Buck
• and
• Billo
• Classic
• Country
• Bob
• Wills
• BCB
• Band

[ROYS5166]

Great cover of a golden oldie.  Thanks for sending my way.

[buckandbilloshow]

Thanks very much Roy. Appreciate it very much.

[buster541]

This is another old song done very well.

Great Job Boys!

*****

Curt

[buckandbilloshow]

Thanks very much Curt.

[wmstrop]

Doesn't matter what you guys call your channel, you guys are quite simply the BEST! I know I've said it before but I'll say it again: Keep 'em coming, gents!

5 stars as usual for this great song!

Bill

[buckandbilloshow]

Thanks. Yeah just like we don't care what they call us as long as they call us for dinner! :)

[chick5581]

well, could have seen that only better on VW's website, should have been driving it!!!!!!!

[sjkalsc]

Love the song and the big red hearts!!!!!

5*****s

Dianne

[buckandbilloshow]

Thanks very much Dennis.

[buckandbilloshow]

Thanks Suze, that's about all we cover!!! :)

[buckandbilloshow]

Thank you Colin, love this song.

[buckandbilloshow]

Thanks Pete appreciate it.