This is my favorite version too-very big beat electro. I actually first heard this mix in the 90's when I got the Rhino Records Electro Funk compilations, the one I usually heard on the radio was a different mix. I love the song, no matter what version it is though, its just really good all around. I love the video too.
This was the first remix I heard of this song in early '85. There was also a Bond Street Mix which sound more like the LP version which would come out in the US in late '85. This is the best version, I like that breakdance beat. The regular versions is 4 to the floor.
First 12" I ever bought that really felt like it celebrated the format. Great song, stunning production and pin-sharp editing, all swept along by a memorable blast of dexterous drum programming courtesy of Keith LeBlanc. A real treat.
This is my favorite version too-very big beat electro. I actually first heard this mix in the 90's when I got the Rhino Records Electro Funk compilations, the one I usually heard on the radio was a different mix. I love the song, no matter what version it is though, its just really good all around. I love the video too.
goblinb 1 month ago
Corporations are people!
craigbeasley1 1 month ago
@dela1970 i'll be right behind you!
abovefilms 2 months ago
Quite a beast of mid Eighties remixes. A special/mental time for sure. Respect to those who make it here!
drchoc22 3 months ago
needed on cd mr fry!.....pls
whitbygothic 4 months ago
This was the first version i heard of this song, Damn! somebody get me a time machine so i can go back to 1985!!!
dela1970 6 months ago
great version - how come this has never been available on CD or any on of the Zillionaire LP re-issues?
nurse23fly 6 months ago
This was the first remix I heard of this song in early '85. There was also a Bond Street Mix which sound more like the LP version which would come out in the US in late '85. This is the best version, I like that breakdance beat. The regular versions is 4 to the floor.
NEXPAR 7 months ago
First 12" I ever bought that really felt like it celebrated the format. Great song, stunning production and pin-sharp editing, all swept along by a memorable blast of dexterous drum programming courtesy of Keith LeBlanc. A real treat.
Cignode 8 months ago