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The most difficult flute techniques in one hybrid flute.

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Uploaded by on Oct 15, 2009

I practise bulgarian kaval/turkish ney, didjeridoo/trumphet, persian ney and shakuhachi techniques on a pvc D kaval.
This is one of the most economic but more versatile and wonderfully sounding homemade musical instruments you can ever make.

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Uploader Comments (furrytummy)

  • How does the rim, the blowing edge of the flute, looks like? Is it a regular kaval rim, or it has special features for playing the shakuhachi style?

    I am asking after trying all these techniques on my PVC ney - after several attempts I figured that I can make a sound using persian ney technique (inserting the flute between teeth), however the shakuhachi sound that I was able to get was extremely poor and weak. I am wondering whether this is a limitation of my technique.

  • @a5urbanipa1: Yes, you could do it on every rim blown flute. In this case the rim is a regular persian ney one... With it it's very more difficult than with the shakuhachi one, you just need practise.

  • To make it go on google and type: "make bulgarian kaval". The sound you speak about is the persian ney technique, famous to be the most difficult flute technique at all. I could explain it to you but there's someone that did it better than me. Search the youtube user "persianney". His name is Kees van den Doel, he is a good canadian player... He posted some useful video lessons. :-)

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This video is a response to Nadishana - solo on hybrid kaval
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All Comments (8)

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  • Great, thanks for sharing.

  • Very nice! I like the faint and thin sounds from it.

    Thank you for showing.

  • Very good!! thanks

  • CReally good, thanks for shared!!

  • WOW!

    Any chance you could share how you made it, and discuss how you were obtaining that sound when the pipe was verticle across your lips/teeth (0:33 - 0:58).

    Buzzing through it didge style almost sounded like a duduk, or clarinet. :)

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