Raúl Prieto plays Reger at Milan Cathedral
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8:25
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I hope at least that that leftmost expression-lever is NOT assigned to the "register-crescendo" function. If anybody knows what's the order of expression-levers and to which divisions they apply, I'd be grateful. Thanks in advance!!
LJBSasha 11 months ago
At the same time, I DO realise that in such a gigantic and very reverberant space (something like 475' x 290' x 100' minimum giving at least 14,000,000 cubit feet of air to deal with - the central nave-chancel vault as well as main transept have a height of 140'), it might be foolhardy if not foolish to play any faster. So be it.
Either way, the outer sections are played masterfully-well, though a little more "swell-boxing" (also in centre-part) could have helped. 4½ out of 5 stars!
LJBSasha 11 months ago
The tags already denote this piece for what it is: from Max Reger's Twelve Pieces, Op.59, this is the "Benedictus", Op.59 #9.
Personally, I could have liked the middle section to move faster and the climax to be yet louder, with all the swell-boxes open (maybe he wasn't using the Echo divisions, in which case I can understand his leaving that swell-lever alone). Also, this organ is supposed to have 4 expressive divisions yet I see only 3 expression-levers. Sorry to be so picky...
LJBSasha 11 months ago
What is the name of this piece? It's wonderful and I'd love to play it!
egpiano 1 year ago
Wonderful!
So nice in this live cathedral.
(The view from his right is best. We like to also see the pedals.)
Please record Reger's major works here.
robertgift 1 year ago
My Denon headphones like you, this organ and Max Reger the best :) You are amazing
organblower 1 year ago
Wonderful performance, young man! You have a great career ahead of you if you so choose.
Jamil501 1 year ago
Incantevole! Straordinario! Meraviglioso!
carlocorozzi 2 years ago
More than magnificent - such feeling in the performance of the composition.
rttipton 2 years ago
Excellent, extraordinary!
Very, very good!
bigposaune 2 years ago