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Bach Cello Suite No.6 Prelude/ Yo-Yo Ma (young-matured)

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Uploaded by on May 11, 2008

Bach Cello Suite No.6 Prelude, BWV 1012-1
Yo-Yo Ma / Young(1982)-Matured(1994-1997)
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ヨーヨーは常に進化しとんじゃいっ!ぼけっ!(みんな日本語わかんないよね?) @@?

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  • I think the young Yoyo does it best. He plays it faster and with more fire than in his more recent recording. I don't understand why anyone would want to hear this piece slowed down or "romanticized" the way Rostropovich plays it. For me it just takes the life out of it. Bach puts so many build ups and escalations in this piece that playing it at a slower tempo just takes away from what I feel Bach is trying to do, and that is to put forth and energetic and vibrant piece.

  • And see, thats what interpretation is. You don't have to play it exactly how it was originally composed. You don't have to stick to a certain tempo, you can slow it down or speed it up. its really what ever you wan't. Interpretations are always going to be different.

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All Comments (17)

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  • Muitos adornam o Yoyomá , mas eu não gostaria de ter aula com ele...

  • @mossydie Not unless it is just downright bashing. I do agree though!

  • Actually the young yoyoma's interpretation is better because bach was a very mathematical composer. If u notice his inventions and sinfonias for the piano u can trace the notes back to mathematics. this piece is basically the same thing: it's very mathematical, and i tihnk this interpretation is better than the mature yoyoma.

  • @mossydie While you are correct about critics/teachers not having to be better than the students at the art, I would say that Leonard Rose was better than Yo-Yo Ma has ever been. But maybe that is just me.

  • It's either this one or Mischa Maisky's I'm not too fond of Rostropovich's recording it's not...Bach-like. But this is beautiful

  • テンポが若干だけ速いなw

    まあ ぼくはときおり テンポを速くして聴くから この演奏はそんなにいやじゃない

  • It's a really childish thing to think that to critique things one has to be able to do better oneself. If this were true great masters such as Ma couldn't exist because their teachers couldn't teach them effectively! Criticism, so long as it remains open minded, is a very constructive thing.

  • I love Yo-Yo Ma, but I really hate his interpretation of this piece. He plays it way too fast and doesn't savor the beauty of the piece. To me, it seemed like he just rushed through it.

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