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Beethoven, Cello Sonata No. 4 (Lynn Harrell, Vladimir Ashkenazy) - Christina Ricci

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Uploaded by on Sep 9, 2008

Beethoven's Cello Sonata No. 4, Part 1, 'Andante', with Lynn Harrell on cello and Vladimir Ashkenazy on piano, recorded at St. Barnabas Church, London, in 1984. Photographs of actor Christina Ricci.

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Education

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Uploader Comments (dadasopher)

  • Legendary , wonderful cellist Lynn Harrell , he is the Best!

  • @kanani771 He is that!

  • Nice to pass for a beautiful young women! Sincerely, Lynn Harrell

  • Thank you so much for your beautiful music. It makes my world a better place.

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All Comments (16)

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  • @arod68993 I don't even remember posting this comment. I'm going to say yes I was kidding because I love Lynn Harrell, I've never played this sonata, and, oh yeah, I don't play cello or piano. I was merely poking fun at the little back and forth going on in the comments below about the tempo. Five times better than fucking Lynn Harrell???? how can anyone take that seriously?

  • @BachBeethovenBeatles this was a joke right...? cuz its it fast it sounds stupid one and two, doesnt make you better at all.

  • Well, I don't know about the rest of you but I play it five times faster. AKA I'm five times better.

  • @e16able Ohh-you got me.. Who are ´we´ by the way- you and the pathetic 2 that have for some reason insulted me here?

    I reply ´cause I get notified of laughable personal comment like yours. And I honestly don´t have time to answer so, to the next smart-a** here: please write on the general comments space and NOT as a personal message

  • @pichat1 HAHA, you haven't got as much time as we do?

    HAHA, you're the only one that keeps replying here, seriously, how old are you?

    You're funny.

  • @spr1ng0ni0n ...and you know where to stick it matey

  • @pichat1 you pretentious prick

  • I haven't got as much time for all this as you do, therefore I shall not reply here anymore.

    With due respect to your age, statements like: 'The question I have with this recording, as with all others I've heard, is whether or not it is roughtly twice too slow or a little less'... and your belief that appreciating an artist's logical approach is somehow 'deferring' to them, don't display the aptitude of someone with a legthy cereer in the music profession.

    Never mind. Take care

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