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Mozart Phantasy in c-minor for Fortepiano

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Uploaded by on Jul 29, 2006

Richard Fuller performs Mozarts music on a Hammerklavier. It sounds as it did in the times of Mozart.

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Music

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  • likes, 7 dislikes

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Uploader Comments (Peter1945)

  • I have never heard a fortepiano. It sounds as a mixture of a harpsichord and pianoforte. I cannot say that I am a fan. I prefer the softer sound of the modern pianoforte. The action was definitely improved to create a gentler tone. Classical music is just as valid on modern instruments. I think Mozart would have loved a Steinway.

  • I Think you are right. Mozart would have liked a Steinway or a Bösendorfer, but he hadn´t and he composed for his instrument, so you can hear the maximum of his feelings and thoughts when you listen to it. Sometimes I have there is a small orchestra specially the deeper tones have an special life in hjis compositions, isn´t it so ?

Top Comments

  • I think it sounds wonderful, I would prefer a modern piano for jazz and ragtime, but anything else on a fortepiano, organ, or harpsichord

  • Not if you're memory fails you when you play :-) I think "maximum musical value" will have more to do with the player's abilities than whether there was music in front of them. When is the last time you listened to a recording of someone playing and thought to yourself, "Did you hear that? He must have been reading the music rather than playing from memory!"

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All Comments (104)

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  • I love the tone you produce in concert with this instrument; for it is all at once whimsical, bracing, robust, and fragiley wobblesome.  Thank you.

  • I never knew of this type of instrument before I met Richard. It's very beautiful and quite addictive! I like how it's got that slight harpsichord twang in it, rather than the smooth sound of the modern piano. Very nice.

  • It sounds a lot more natural and flowing played on a fortepiano.

  • @ludustestudinis interesting.

  • @infernobegins @Peter1945 The fortepiano has two qualities that the modern grand lacks. One is that its sound decays quickly, which, among other things, allows for bringing out the beat hierarchy in a natural way. The distinction between good and bad notes was crucial for all music from Bach to Schubert. The modern grand is the incarnation of the later Wagnerian ideal of a seamless line. You personally might prefer Wagner's aestehetics over Mozart's, but you should be aware of the difference.

  • @tristan01101 You play?. I just started the veena.

  • @tristan01101 TRUE.

  • delightful!

  • This sounds like Sitar meets Piano.

  • @infernobegins I think Mozart would have found trill and fast notes more difficult to play on a modern piano, which they usually are :-)

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