Omar Faruk Tekbilek - Istanbul!

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Uploaded by on Oct 21, 2008

A masterpiece from the Album "One Truth" (1999). Listen & Enjoy it.

Omar Faruk Tekbilek had been studying Sufism, the mystical branch of Islam, with the thought of becoming a Sufi cleric. At 15, he quit school to become a professional musician. "But I never quit studying, though," he maintains. "In fact, I am still studying; it's endless. Music for me is not something to show off. It's my life. It's the shortest path to God. Playing is prayer for me." He went to Istanbul and at the age of 17 met the Mevlevi Dervishes, the ancient Sufi order of Turkey. He did not join the order, but felt profoundly influenced by their mystical approach to sound and to the spirit. Another, almost equally mystical influence would soon appear, from an unlikely source. The young Tekbilek became friend with flute and saxophone player named Ismet Siral, who had some unusual ideas about music theory. "He would say things like, let's play for birds, let's play for pictures." OFT says about Burhan Tonguch, his rhythm teacher: "He put the idea in my mind that everything is a rhythmic instrument. And everyone is a percussionist. Without the strike, there is no sound."

Despite, or perhaps because of, this unconventional outlook, Faruk's skills were much in demand in the studios of Istanbul, and in 1971, at the age of 20, made his first brief tour of the United States with a Turkish classical/folk ensemble. The Tree of Patience was about to put out an unexpected limb. "I try to play a song the way it's supposed to be," Faruk explains. "If I play an Arabic song, I use an Arabic style; if I play a Turkish song, I use a Turkish style."

Faruk feels a strong affinity for Arabic music, which differs in several important ways from the Turkish tradition. As a child he spent a lot of time listening to Radio Kairo and became acquainted with the giant musicians of that time like Umm Kulthum, Abdul Wahab, Abdl Halim Hafez, Farid al-Atraš, Fairuz, Sabah Fakhri. Because he was playing the flute he was inspired by the melodies and the sound of ney (nay). He was also inspired by Sheikh Abdul Basit 'Abd us-Samad recitations of the holy Qur'an whom his father was listening a lot.

Faruk pauses, considers, and then admits, "Sometimes I can't keep myself from making a bridge between them. I just try to listen to the song; it will tell me what it wants to be." The process of creating his own songs is similar: "There is no set formula or method", he says. "Each song comes out in a different way."

Btw: The grandfather of Faruk's mother is originated from Egypt, so if you want Faruk is "Egyptian in 3rd generation". But much more he is Turkish. ;-)

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Uploader Comments (tiad)

  • A masterpiece from the Album "One Truth" (1999). Listen & Enjoy it.

Top Comments

  • turkey is beautiful, isanbul is a heaven, omar faruk is a jenius

  • Verry joyful beautiful music, i realy like it

Video Responses

This video is a response to İstanbul - Last Moments of Love
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All Comments (16)

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  • Constantinople= HELLENIC

  • @fp470 Well said

  • I <3 THAT SONG + TR !

    Greeting from Tunisia !

  • what a pity listening without seeing istanbul

    what a chance living in istanbul

  • ISTANBUL:DREAM OF MY DREAMS

  • @Love1Cuba Constantiople- Cultured, living with knowledge, God's city, Stradiots and Emperors, agora, fora and the most inspiring confiednce in man.

    Istanbul- I agree with you.

    Both are one but very different, both are great and both are true. However both see the other as not themself so we are divided- dont let division colour your judgement. Let difference increase your knowledge

    - that is what we believe in the antipodes-

  • cok guzel olmus ellerinize saglik

  • Constantinopel = Cold, colorless, everywhere only churches, no pasha's, no sultan's, no bazaars, no mosques, no orient feeling.

    IstanbuL = Warm, colorful, mosques, pashas, sultans, bazaars, this is the orient.

  • I love Constantinople the city of my grandparents.

  • I love Constantinople the city if my grandparents.

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