Like to rate videos and let people know what you think?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
Like to share videos with friends?
Automatically share your ratings, favorites, and more on Facebook, Twitter, and Google Reader with YouTube Autoshare.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
What a great conceptual exercise. Choreography, performance, location etc. aside, (all of which have great impact) this is about the editing process right? So from that point, it's quite intense, difficult to digest visually after a while. One thought: I'd love to see it retrace itself, taking me back through the rhythm to where is came. I wonder how the algorithm would work in a reverse fashion, another mirror of the retrograde used in the choreography? just a thought.
I like it a lot as well. It draws me into a changing figure/ground. I'm pulled between dancer and background, depending upon the relative speed of movement & cuts, density of info in the background, and probably other things... Quick cuts abstracted a moving figure in the background, making it unusually curious, intrusive. With sound off I found it easier to "read"; with it on, it increased the visceral impact. Interested in how parameters vary in the algorithm to affect this texture.
I got the vibration thing and loved it! Overwhelming and satisfying. I actually felt that her vibration was a result of the rush of being everywhere and nowhere at once. This was my felt sense as a viewer and not based on anything analytical... As a matter of fact if I had to analyze the movement itself, I'd say that I found very little investment in it which is the way of the postmodern/release trend, and probably why I connected more to the somewhat passionate hip and hair tosses.
woahw! I love it! An MTV-like hour squeezed into 3:10!?! i´d be curious what would be the result with some dynamics in the background (children playground-joggers in the park -traffic-etc) or if keeping static landscape, to position the dancer at variuos distance/position in the frame. Adriana
Nice images and dancing. Now for cranky: Somewhat bored of dancers appearing to have no interest in their environment. What's the point of a site specific shootings if all that's pictured is a dancer making a good show of getting into their feelings. The editing and choreography only reinforce this as if saying: It doesn't matter where this dancer is dancing. It's the same dance, and they couldn't care less.
algorithmic editing lacks in feeling for what i can see,but it s a nice exercise which reflects the world we live in, being everywhere and no where at once. when watching i loose my own center and the fast editing hurts my eyes. I would like to see the vibrations of the body not as an inability but as a victory. all the best.
Autoshare makes certain YouTube activities public on the services you choose. Select only the services you are comfortable with - like Facebook, Twitter, or Google Reader - to let your friends know what you like on YouTube. You can turn Autoshare off at any time.
An MTV-like hour squeezed into 3:10!?!
i´d be curious what would be the result with some dynamics in the background (children playground-joggers in the park -traffic-etc) or if keeping static landscape, to position the dancer at variuos distance/position in the frame. Adriana
Green screen next time?
when watching i loose my own center and the fast editing hurts my eyes.
I would like to see the vibrations of the body not as an inability but as a victory.
all the best.