Liszt's 'Hungarian Rhapsody No.6 in D-Flat Major' Audio + Sheet Music

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Uploaded by on Sep 28, 2009

pf: Georges Cziffra (omg I'm so sorry but I didn't realise that kastlesucks already uploaded this kind of video! Oh well, at least the audio is different :p)

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Music

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Uploader Comments (tomekkobialka)

  • Isn't this in E-flat major? Cos D-flat doesn't exist...?

  • @LisaSpringfield Yeah, sorry you're right, I made a mistake in the video title. Thanks for correcting me. 

  • @LisaSpringfield What do you mean D-flat doesn't exist? 5 flats is D-flat major. E-flat is three flats, right?

  • @luno96 Looks like Lisa Simpson never played the D-flat major scale on her saxophone. *rolls eyes*

    @Lisa If you start from C, and go down one fifth, the major key of that note (F) will have one flat in it. Hence F major has one flat. If you keep going you will eventually get to D-flat, which has 5 flats. You could even go down to F-flat major, which has 8 flats. O_o

    For sharps, you start at C then go UP a fifth, then add a sharp.

    And don't ask me about minor keys, I'm out of space. :(

Top Comments

  • @Kapomafioso

    Apparently, he played that passage so fast that by the end of the passage his fingers turned briefly into steel.

  • OH-MY-GOD, what happened from 1:23 to 1:25 ? like disaster :)

    good interpretation though

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All Comments (43)

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  • @mdc396 The 2nd version of la campanella is written in A flat minor, although that means 7 #

  • For some reason I feel like the appropriate end to this piece would be for the piano to explode.

  • @cerzule Maybe he wanted to mark the two different parts. The arpeggio cadenza (were Cziffra destroys the piano) is some kind of a transition between the parts.

  • @mdc396 Yes it is...Fb major???

  • @tomekkobialka Next, I think we should explain the uses of the tonic, the sub dominant and the dominant when composing music :)

    I could talk about music forever! I just love it! :D

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