Gilles Jobin GVA SESSIONS (2009) | Dance Doccie
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Too many close ups, which makes it very hard to actually watch the class.
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I wanted to give a visceral impression to the viewer, from warm-up to enchaînement, by shooting as if from a dancer's POV, letting the viewer "see" what the dancer sees when say hanging upside down, or when jumping. Dancers always see fleeting images, snatches of movement. Close-ups also generally create affective imagery and transmits to the viewer more muscular, emotional and kineasthetic information, besides we all know what pliés and tendus are - dancers can easily fill in all that info!
WalkingGusto 1 year ago