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Ypsilon (Stockhausen)

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Uploaded by on Apr 16, 2010

YPSILON für ein Melodie-Instrument mit Mikrotönen von Karl-Heinz Stockhausen. Querflöte: Kathinka Pasveer.

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Music

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  • Wonderful, thanks for posting this

  • Great piece

  • @wetuadjlv Or a dictionary, perhaps....

  • @wetuadjlv Yeah, now I see it, Thanks! I guess one should learn german to understand Stockhausend music and demands. Jejeje.

  • @OscarGeronimo It looks like instead of each line/space representing a different tone or semitone, each one is a different quarter-tone value. That would be my guess. The rhythmic notation is a combo of common-practice and graphic notation. The upper staves indicates shaking the bells on the musician's costume. "ST" = "stimme" = "voice."

    At 2:07, the top line says to shake one limb at time, while the lower line says to make "kissing and tongue-clicking sounds".

    Hope that helped!

  • @OscarGeronimo It looks like instead of each line/space representing a different tone or semitone, each one is a different quarter-tone value. That would be my guess. The rhythmic notation is a combination of common-practice and graphic notation. The upper staves indicates the shaking of the bells on the musician's costume. "ST" = "stimme", German for "voice."

    At 2:07, the top line says to shake one limb at time, while the lower line says to make "kissing and tongue-clicking sounds".

  • @OscarGeronimo It looks like instead of each line/space representing a different tone or semitone, each one is a different quarter-tone value. That would be my guess. The rhythmic notation is a combination of common-practice and graphic notation. The upper staves indicates the shaking of the bells on the musician's costume. "ST" = "stimme", German for "voice."

    At 2:07, the top line says to shake one limb at time, while the lower line says to make "kissing and tongue-clicking sounds".

  • Unglaublich toll gespielt!

  • How does he organizes the pitches here? I see something around the special notation at the beginning, but nothing about the sound relationships.

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