Upload

Loading icon Loading...

This video is unavailable.

Elliott Carter - String Quartet No. 1 (4/4)

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to like Fishy Pelicans's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to dislike Fishy Pelicans's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to add Fishy Pelicans's video to your playlist.

Uploaded on Dec 1, 2009

I was very surprised to not find this on youtube. Definitely a masterpiece, and one of my favourites by Carter. The opening in particular is really amazing.

I haven't divided the piece up into movements properly - sorry - since the recording I have is in three tracks, each over 10 minutes, when in fact there are four movements.


Wikipedia: Elliott Cook Carter, Jr. (born December 11, 1908) is a two-time Pulitzer Prize-winning American composer born and living in New York City. He studied with Nadia Boulanger in Paris in the 1930s, and then returned to the United States. After a neoclassical phase, he went on to write atonal, rhythmically complex music. His compositions, which have been performed all over the world, include orchestral and chamber music as well as solo instrumental and vocal works.

The First String Quartet by American composer Elliott Carter (1908-) was written during a year spent in the Arizona desert from 1950-51. To some extent, it can be said that this was his first major breakthrough work as a composer.
A primary compositional technique used in the quartet is the principle of metric modulation (temporal modulation)—one for which Carter was to become particularly renowned. Although he was not the first composer to use this device (such as Stravinsky's Symphonies of Wind Instruments, (1920)) he was seemingly the first to develop such complex transformations. It is said that Carter assigned to tempo the structural role that earlier composers gave to tonality.
The quartet embeds four movements in three sections, all contained between two solo cadenzas acting as bookends at each end of the quartet. The two cadenzas—the first for cello and the concluding for first violin—frame the piece conceptually.

  • Category

  • License

    Standard YouTube License

Loading icon Loading...

Loading icon Loading...

Loading icon Loading...

Loading icon Loading...

Ratings have been disabled for this video.
Rating is available when the video has been rented.
This feature is not available right now. Please try again later.

Loading icon Loading...

Loading...
Working...
Sign in to add this to Watch Later

Add to