The less flamboyant pieces from "Harmonies poétiques et religleuses" (1853 version) are not so often played, and I can appreciate that some might find their sentiment saccharine. Given their religious connections, I think the best preparation to play these pieces is to watch on TV some of the special services from the Vatican broadcast on EWTN and elsewhere, and listen to the unsophisticated but fervent singing of the choirs there. It is a world away from the Anglican church music with which I am more familiar, but close, I'm sure, to what Liszt would have heard on his visits to Rome. These two pieces (along with 'Hymne de l'enfant à son réveil') are transcriptions of choral works from the 1840s. I think they make a good pairing, and suit the medium, as they would surely have been intended for domestic performance in an intimate setting. Indeed, the 'Pater noster' ('Our Father, who art in heaven....) is in the style of a Gregorian chant, and both pieces have the Latin texts printed over the score (although, in the case of the Ave Maria, the fit is not always obvious). Shorn of the virtuoso figurations associated with Liszt, these pieces instead present the musical challenge of capturing the intended devotional atmosphere.
--------------------------------------------------------------------------------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk
anyone ever tell you, that you look like larry david?
Martel211996 1 year ago
@Martel211996 Not that I know of!
PSearPianist 1 year ago
so good :D 5/5 stars!
Asura8735 1 year ago
Thank you very much!
PSearPianist 1 year ago
Yes, a beautiful performance - as a pianist myself (but nowhere near as accomplished as you), I particularly like watching the hands and overall performance as well as just listening - plus your "blurb" on these pieces was very interesting
52dinosaur 2 years ago
Thank you very much for your kind comment. I often get asked to do instructional videos - where I would put the camera overhead so that people can apparently learn the pieces by watching where I put my hands - but have not figured out how to do that convincingly!
PSearPianist 2 years ago