Film Noir in F minor {Filghi Productions}

I enjoy the dark undertones of Film Noir. The over emphasized shadows, the mystery of what might lurk in that spot you can't see. And yet there is always hope A new project in one of my film classes. Enjoy.

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Filip Ghiorghi
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EXTRA TAGS
THE LETTER (1940, William Wyler. Bette Davis)
THE MALTESE FALCON (1941, John Huston. Humphrey Bogart, Mary Astor)
SHADOW OF A DOUBT (1943, Alfred Hitchcock. Joseph Cotten)
DOUBLE INDEMNITY (1944, Billy Wilder. Barbara Stanwyck, Fred MacMurray)
MURDER, MY SWEET (1944, Edward Dmytryk. Dick Powell)
SCARLET STREET (1945, Fritz Lang. Edward G. Robinson, Joan Bennett)
LAURA (1945, Otto Preminger. Gene Tierney)
DETOUR (1945, Edgar G. Ulhmer. Ann Savage)
NOTORIOUS (1946, Alfred Hitchcock. Cary Grant, Ingrid Bergman)
GILDA (1946, Charles Vidor. Rita Hayworth)
THE KILLERS (1946, Robert Siodmak. Ava Gardner, Burt Lancaster)
THE BIG SLEEP (1946, Howard Hawks. Humphrey Bogart)
THE POSTMAN ALWAYS RINGS TWICE (1946, Tay Garnett. John Garfield, Lana Turner)
THE LADY FROM SHANGHAI (1947, Orson Welles. Rita Hayworth, Welles)
OUT OF THE PAST (1947, Jacques Tourneur. Jane Greer, Robert Mitchum)
BRUTE FORCE (1947, Jules Dassin. Burt Lancaster)
FORCE OF EVIL (1948, Abraham Polonsky. John Garfield, Marie Windsor)
THE SET-UP (1949, Robert Wise. Robert Ryan)
THE THIRD MAN (1949, Carol Reed. Orson Welles)
CRISS CROSS (1949, Siodmak. Burt Lancaster, Yvonne de Carlo)
GUN CRAZY (1950, Joseph H. Lewis. John Dall, Peggy Cummins)
IN A LONELY PLACE (1950, Nicholas Ray. Humphrey Bogart, Gloria Grahame)
THE ASPHALT JUNGLE (1950, Huston. Sterling Hayden)
NIGHT AND THE CITY (1950, Jules Dassin. Richard Widmark, Gene Tierney)
SUNSET BLVD. (1950, Billy Wilder. Gloria Swanson, William Holden)
ACE IN THE HOLE (1951, Billy Wilder. Kirk Douglas, Jan Sterling)
ANGEL FACE (1952, Otto Preminger. Jean Simmons)
PICKUP ON SOUTH STREET (1953, Samuel Fuller. Richard Widmark)
THE BIG HEAT (1953, Fritz Lang. Gloria Grahame, Lee Marvin)
KISS ME DEADLY (1955, Robert Aldrich. Gaby Rodgers)
NIGHT OF THE HUNTER (1955, Charles Laughton. Robert Mitchum, Lillian Gish)
THE KILLING (1956, Stanley Kubrick. Sterling Hayden)
ELEVATOR TO THE GALLOWS (1958, Louis Malle. Jeanne Moreau, Maurice Ronet)
TOUCH OF EVIL (1958, Orson Welles)
THE NAKED KISS (1964, Samuel Fuller. Constance Towers)

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[externalcontrol]

i enjoyed that ..very nicely done* :))

[FilghiProductions]

@externalcontrol Thanks! I'm glad you liked it.

[LlamaBoyProductions]

wow, great job, loved the music! :)

[FilghiProductions]

@LlamaBoyProductions thats Don Giovanni for you.:) It took me so long to fine tun the images to this song.  Have a look at "Day To Day" the new short film too.

[Alldayeveryday404]

@FilghiProductions Okay.....okay....neo-noir. NEO........noir.....not film noir. neo noir is fine. yea, the wachowski brothers threw in some low key lighting here, and pool shadowing there, perhaps some noir narrative themes and such. but its still predominantly science fiction. calling it neo noir is fine. CALLING IT FILM NOIR IS NOT. there...

[FilghiProductions]

@Alldayeveryday404 "The movie has been called ‘Neo-Noir’ – a modern film with its roots set deep within the Film Noir genre. Such elements of Noir in The Matrix are hard lines and shadows of darkness, which are seen often, especially in the Dojo scene. Low lighting, as well as projected shadows reflect the influence of Noir."

[FilghiProductions]

@Alldayeveryday404 Hhaha correction it's a branch of Film Noir called Neo Noir.

[FilghiProductions]

@ParkourKid919 "the meaning of all this" is to evoke your emotion with only music, images and tittles. Go see the description. I'm glad it frightened you because these are ways in witch I would like to film. But ultimately it was more a story of emotions in context with the underlining meaning of the peace.

[ParkourKid919]

@FilghiProductions whats this sopposed to be. A trailer. A movie. Its kinda scary and i think i might pee. Help explain the meaning of all this

[FilghiProductions]

@Alldayeveryday404 haha It's true they use low key lighting and it does have that dark undertone. It's hidden.