Bach - BWV 61 - 3 - Öffne dich, mein ganzes Herze

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
37,125
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Sep 18, 2007

Buy this DVD at: http://amzn.to/t1FnzJ
Buy this in VHS format at: http://amzn.to/AaJ5if

Aria from Cantata No.61 by Johann Sebastian Bach. Conducted by Nikolaus Harnoncourt.

High Quality: http://www.youtube.com/watch?v=Y_wSX_eOVvA&fmt=18

Öffne dich, mein ganzes Herze,
Jesus kömmt und ziehet ein.
Bin ich gleich nur Staub und Erde,
Will er mich doch nicht verschmähn,
Seine Lust an mit zu sehn,
Daß ich seine Wohnung werde.
O wie selig werd ich sein!

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 1 dislikes

Link to this comment:

Share to:

Top Comments

  • Beautiful voice! I can feel the flow of movement of her soul and a rare state of peacefulness within myself. Thanks for posting!

  • Absolutely exquisite!!  Thank you!!

see all

All Comments (26)

Sign In or Sign Up now to post a comment!
  • @vlnvlaclogbaerhpno It would be more accurate to say Baroque organ pitch was around A465, sometimes higher. The pitch of older Baroque organs was based on the tuning of Renaissance winds.Whereas, the later Baroque chamber pitch (A415 and lower) was based on the tuning of late Baroque winds. A440 tuning was not formally adopted until the 1950s, and then only after decades of lobbying by American winds manufacturers. So you can see how the tuning of winds has influenced pitch standards.

  • @vlnvlaclogbaerhpno While the custom in Weimar had been to tune to the organ (A465) and transpose up the parts for winds that could only play at chamber pitch (A415) or French chamber pitch (A392), by the time Bach moved to Leipzig, his predecessor there had established the custom of tuning to chamber pitch (A415). But since the organ was still tuned at choir pitch (A465), the organ part had to be transposed down a whole step.

  • @1banders OK, but why are they tuned to that pitch when the organist is simply playing this in A Major, as opposed to the G Major that it's written in? I could understand if the organ was pre-tuned to be a whole step higher than the original key, and tuning it lower would be impossible, but in this case, I saw the organist's fingers and they are simply playing the aria in A. This entire rendition of the cantata is a whole step higher than the score. Why?

  • @1banders Gracias por la ayuda!! :)

  • @lalindatita They are tuned to Baroque organ pitch (A465), which is a 1/2 step higher than A440.

  • @marce0ssa The aria is in G. The ensemble is tuned to Baroque organ pitch, which is about A465, which is about a 1/2 step higher than A440.

  • @Atlas2Atlante0

    ya, i also wonder why there are so many poeple who mention that they are 13,14,15... ''BUT'' or ''they dont know why-BUT'' they love it...

    i hope that they honestly love it more than a praise.

  • @MissDouwes Why the "but", then?

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more