Bartók Bluebeard's Castle Door1 Solti Sass Kováts

Béla Bartók: Bluebeard's Castle Door1
Conducted by: Sir George Solti
London Philharmonic Orchestra
Judith: Sylvia Sass
Bluebeard: Kolos Kováts
Directed by: Miklós Szinetár

Synopsis:
Judith and Bluebeard arrive at his castle, which is all dark. Bluebeard asks Judith if she wants to stay and even offers her an opportunity to leave, but she decides to stay. Judith insists that all the doors be opened, to allow light to enter into the forbidding interior, insisting further that her demands are based on her love for Bluebeard. Bluebeard refuses, saying that they are private places not to be explored by others, and asking Judith to love him but ask no questions. Judith persists, and eventually prevails over his resistance.

The first door opens to reveal a torture chamber, stained with blood. Repelled, but then intrigued, Judith pushes on. Behind the second door is a storehouse of weapons, and behind the third a storehouse of riches. Bluebeard urges her on. Behind the fourth door is a secret garden of great beauty; behind the fifth, a window onto Bluebeard's vast kingdom. All is now sunlit, but blood has stained the riches, watered the garden, and grim clouds throw blood-red shadows over Bluebeard's kingdom.

Bluebeard pleads with her to stop: the castle is as bright as it can get, and will not get any brighter, but Judith refuses to be stopped after coming this far, and opens the penultimate sixth door, as a shadow passes over the castle. This is the first room that has not been somehow stained with blood; a silent silvery lake is all that lies within, "a lake of tears". Bluebeard begs Judith to simply love him, and ask no more questions. The last door must be shut forever. But she persists, asking him about his former wives, and then accusing him of having murdered them, suggesting that their blood was the blood everywhere, that their tears were those that filled the lake, and that their bodies lie behind the last door. At this, Bluebeard hands over the last key.

Behind the door are Bluebeard's three former wives, but still alive, dressed in crowns and jewellery. They emerge silently, and Bluebeard, overcome with emotion, prostrates himself before them and praises each in turn, finally turning to Judith and beginning to praise her as his fourth wife. She is horrified, begs him to stop, but it is too late. He dresses her in the jewellery they wear, which she finds exceedingly heavy. Her head drooping under the weight, she follows the other wives along a beam of moonlight through the seventh door. It closes behind her, and Bluebeard is left alone as all fades to total darkness.

Category:

Music

Tags:

• Béla
• Bartók
• Bluebeard's
• Castle
• Door
• Solti
• Sylvia
• Sass
• Kolos
• Kováts
• Hungarian
• opera
• Budapest
• London
• Sir
• George
• classical

[jijimaomao]

It is nice to hear it from a Hungarian.She is beautiful there!

[HerrWozzeck]

Well, needless to say, Solti is not my favorite conductor, but the interpretation actually isn't that bad. The singers are incredible, and oh my god! The production is very close to how I would imagine it reading the score! For the production alone, this probably ranks as the best Bluebeard's castle on Youtube, and to make it better it has incredible singers, too!

[MuseDuCafe]

@HerrWozzeck "needless to say?" It presumes all know you and your tastes and preferences!

I will take a very intelligent Hungarian conductor, known for having a great command of music and musical theater (opera) conducting this beautiful rich score by a fellow countryman, 'needles to say.' Yes, this is also one of the best recorded performances around, period!

[Barbapippo]

Well, Solti is neither my favorite conductor, but here he's (unexpectedly) PERFECT!

[roxyprincess144]

This door WAS TERRIFYING!

[zongorista]

ez remek! sok ideje keresme már...

most végre megvan.

Soltival még különlegesebb ez az opera!

köszönet Érte!