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Madonna - Evita - 19 Lament (1996)

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Uploaded by on Jul 9, 2009

Madonna - Evita - 19 Lament (1996)

[Eva:]
The choice was mine, and mine completely
I could have any prize that I desired
I could burn with the splendor of the brightest fire
Or else, or else I could choose time

Remember I was very young then
And a year was forever and a day
So what use could fifty, sixty, seventy be?
I saw the lights, and I was on my way

And how I lived, how they shone
But how soon the lights were gone

[Che:]
The choice was yours and noone else's
You can cry for a body in despair
Hang your head because she is no longer there
To shine, to dazzle, or betray
How she lived, how she shone
But how soon the lights were gone

[Embalmers:]
Eyes, hair, face, image
All must be preserved
Still life displayed forever
No less than she deserved...

THE END

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Uploader Comments (stambeccuccio)

  • Ogni volta che rivedo questo pezzo, mi vengono i brividi e mi commuovo.. incredibile

Top Comments

  • Can it also be said that Antonio Banderas did a God-awesome job in this film too.

  • Antonio is not a person who loves her, he is all the people. Thats why he can make comments to Juan Perone, and why he just walks to the coffin in the middle of the line of viewers.

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All Comments (170)

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  • This scene on the Musical alway even if I try not to is very very emotional

  • proud to say my school is doing this show :)

  •  cried when i was seeing this :'(

  • never seen the movie.

  • @txgleek It's the same version as the stage, it's just been adapted to film.

    Ergo, it's hinted he's a young Che Guevara in every version.

  • @Spudfish93 Yes, but not in this version.

  • juan peron can not see Che . He only feels him as Eva did . And actually Antonio's lines in the end makes me cry ...

  • beauty lies in the limited

  • I thought Antonio Bandaras was the perfect Che, and Madonna the perfect Eva Peron!

    I thought it was chilling how he kissed the coffin at the end, Juan Peron's face, and the tolling bell....

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