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Video Storytelling Basics Tutorial: The Shot Sequence - Part 1

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Uploaded by on Oct 26, 2010

http://www.nyvs.com

Lesson 6 of 11. In this video storytelling course, Michael Rosenblum presents a comprehensive course on video journalism storytelling for the beginner. This tutorial will teach you how to find a compelling story, shoot it with great coverage on the topic, and put it together in an exciting and interesting way that audiences will love.

In this story telling tutorial, Michael introduces the first lesson of two on the 5 Shot Sequence that will give you full coverage of your topic and compelling shots for your story.

Continue your video education on NYVS.com and see
hundreds of more lessons. Please visit: http://www.nyvs.com/courses/view/Video-Storytelling-Basics

NYVS is the premier online destination for video enthusiasts around the world who use video in their everyday lives. Visit www.nyvs.com to see hundreds of instructional videos like these and be a part of the video revolution. A Plus membership will get you full access to NYVS for only $9.95 per month. Start today with a free trial!

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  • This guy looks like Elton John with a video camera.

  • suddenly I want to buy carrots...

  • the girl is probobly like "DONT VIDEO THERE YOU PERV!!!!!!" then a backhand to the face

  • This guy should be selling soap or jewelery on Shopping channel...

  • trivialities

  • @carapar114 maybe but then why make a video.

  • @UnderDog988 oh, well maybe the people doing this tutorual are not really imaginative or have limited resources at the moment

  • @carapar114 um you missed the whole point... Am saying that they should use appropriate examples... And show how they relates to the story, wat there showing is just the basics of story telling and we o ready know all of this anyways. But to have REAL good examples on how to start off would help people alot more then this crap.

  • @UnderDog988 irs just an example, the imaginative movies are suposed to be from us

  • It's obvious from the WS that she's chopping the carrots, and the CU of her hand doesn't reveal any "interesting action" that he claims is taking place, thus I consider the CU meaningless and boring. The boredom is caused by writing of this scene where the action of chopping carrots doesn't reveal anything other than the action of chopping the carrots. What if she's crying? What if there's already a mountain of chopped carrots beside the chopping board?

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