Ópera "L'Incoronazione di Poppea", en el Teatro Real de Madrid

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Uploaded by on May 12, 2010

Entrevista a los contratenores Philippe Jaroussky y Max Emanuel Cencic, con motivo de la representación de la ópera "L'Incoronazione di Poppea" en el Teatro Real de Madrid, del 16 al 28 de mayo de 2010.

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  • Jaroussky+Cencic= dream team! <3

  • I was there yesterday... and I still cannot believe how incredible it was. I hope I can go again... I NEED it!

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All Comments (12)

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  • Un francés y un croata hablando en inglés para la televisión española.

    Ellos hablando una segunda lengua, los hispanoparlantes comprendiéndolos en una segunda lengua... ¿Por qué? o.O

  • Thank you SOOO much for this fascinating interview . I saw the performance on 25th May and am still reeling from the magic of that night. Nerone's duet with Lorcan was sensuous and wonderfully ambiguous and, of course, "Pur ti Miro" was marvellous. I met Philippe at the stage door afterwards and, incredibly, he remembered me from London! He is such a sweet person, self-effacing, charming and sincere. Can't wait to see him with Spinosi at the Proms in September.

  • Soy de Barcelona, afortunadamente pude ver el gran espectaculo, musical que ofrecieron Jaroussky y Cencic, sus espectaculares voces son de una extremada nitidez y belleza. Los que pudimos gozar de estas voces en directo y apreciar esta calidad musical nos llevamos algo precioso. Sin discusión alguna la calidad orquestal de William Christie

  • Congratulations to Mr. Ignacio Vleming for such an excellent interview for EsMadrid.

    It is a unique opportunity to listen to these singers talking about their own roles in this opera.

  • In a manly way,men can be dramatic too.sexual orientation,femenine manner don't apply on stage cause we portray characters(I know a lot of very girly baritons but nobody expects to see a girly Don Giovanni!) so this manly way of drama is what is needed for many countertenors when they perform,and that is something that no contralto or mezzo(no matter how low her voice is) is never going to do.Or like those countertenors who love to sing female parts they never going to be Carmen

  • I love Cencic and absolotely adore Jaroussky but as a countertenor I'm not agree with him about a Mezzosoprano being more dramatic that a countertenor, and a countertenor playing the role like a spoiled kid. Of course a mezzo as woman can be very dramatic a "drama queen" but still a female playing a male role. As a countertenor i'm aware that many times in vocal quality and power a mezzo can be more suitable for a big production.But the thing about countertenors is to portray a male role

  • I will be there to watch it next week and cannot wait!!!!

  • Great to get some information before the premiere, and for once from the singers, who know the opera so well and give us such interesting insights. Thank you for posting this!

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