Mozart, Requiem in D minor, 1./2. Introitus/Kyrie
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Uploaded by smalin on Jan 19, 2012
The first movement of Mozart's Requiem in D minor, performed by the Bezdin Ensemble, under the direction of Adina Spire, with a graphical score.
FAQ
Q: Where can I get this recording?
A: The movement was licensed from Magnatune, where you can listen to or purchase the complete album it came from:
http://magnatune.com/artists/albums/bezdin-mozart/
Q: Where can I learn more about the Bezdin Ensemble?
A: Here is the Magnatune page for the group:
http://magnatune.com/artists/bezdin_ensemble
and here is the website for the group and its conductor, Adina Spire
http://www.adinaspire.net/
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Uploader Comments (smalin)
All Comments (159)
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I remember singing this kyrie as a tenor...what a pain in the ass.
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Note: I'm a fan of yours. This is KEWEL!
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It reminds me of the film Elizabeth
and It reminds me of our Lord
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notes would be better...i dont get this...
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you make music come alive thanks smalin
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It would be awesome if you were to do the other parts as well. Are there any plans for this?
RefluxRepresentative 1 month ago
@RefluxRepresentative See early comments for my answer.
smalin 1 month ago
I saw a yellowish aura which seemed to surround the choir's three lower voices, but not the soprano. Is there a system to it? And speaking of composed/ orchestrated versions of Mozart's Requiem, this year I will be singing a remake of it made by James Levine, which is supposedly more faithful to Mozart's style than Süssmayr's, even if much less known. Levine is a real expert in Mozart, according to what I hear, as well as a fantastic musician.
kubikpt 1 month ago
@kubikpt The yellow "aura" is for the three trombones, which double the three lower vocal parts (but not the soprano) in the score.
smalin 1 month ago
@Smalin I was under the impression that only the Requiem Aeternam was completed with all vocal parts and orchestration. Then most of what was left was just vocal parts and continuo. But I guess it all depends on where your information is coming from and the mystery around the piece makes it more evocative I find.
MrProfessorDonut 1 month ago
@MrProfessorDonut In the version of the score I have (the Breitkopf & Haertel edition, reprinted by Dover --- which is the same as the one on IMSLP that's listed as "Leipzig: C.F. Peters, n.d.(ca.1880)."), the first place where the S (for Suessmayr) appears is at the beginning of the Dies Irae.
smalin 1 month ago